By Rosalind Cummings-Yeates
A BLUES PRODUCTION
I
t all started because he grew tired of
the bad news. Every time he looked
up, a blues club was closing or cutting
back on live shows. So Jacob Schulz, or
Brother Jacob as he's more widely known,
decided to do something about it. "I was
talking with Deitra Farr about all of the
blues clubs that had closed down and I
said, 'you all don't want me to have to
open up a club!' She said, yes we do." For
ly attracted him. By the time he was 9, he
was calling the legendary Pervis Spann,
"The Bl Y\