Illinois Entertainer January 2015 | Page 40

Record & CD Collectors Show The Midwest's Largest Record Show released Addicted and Epicloud, only with more expansive melodies. The guitars and keyboards have a prominent presence in the mix, which creates a massive, brooding sound. The soaring vocals of Anneke van Giersbergen (ex-The Gathering) are once again present, creating a dynamic range that insures she has become a permanent fixture within Townsend’s sound. Standout tracks "Rejoice," "Warrior" and "Midnight Sun" from Sky Blue contain huge melodies and hellacious hooks, while the whole of Dark Matters is epic and theatrical, sounding like a cross between old Reader’s Theater radio shows and an obscure Sci-Fi movie. Although Z2 might not appeal to everyone, there’s just so much on offer here, but it may take a couple of spins before it truly sinks in. – Kelley Simms 9 SUNDIALS Kick E.P. (Top Shelf) The sonic equivalent of onomatopoeia, Kick is snappy, jubilant pop-punk that traces a direct lineage to ‘90s superstars SUNDAY • NOV 20 SUNDAY • JAN. 18 8:45AM - 4PM VINYL & CD’s LP'S • 45'S • 12"SINGLES Plus, an expanded Metal selection. BEST WESTERN CHICAGO - HILLSIDE 4400 FRONTAGE ROAD HILLSIDE, IL I-290 Eisenhower Expy -Wolf/Mannheim Exit Admission $3.00 Dealers Tables $45.00 Early Bird Customers: $10.00 6.00am Early Bird Time: 6:30am For Information Call 630-898-1533 - Evenings or: Visit www.chicagorecordcollectors.com We’re on Facebook under Chicagoland Record & CD Collectors Show 40 illinoisentertainer.com january 2015 6 SPIDERS Shake Electric (Spinefarm) Flying the retro-rock flag for Millennials, Swedish female-fronted rockers Spiders is capturing a dedicated audience. On its sophomore release, Shake Electric, the band successfully pulls off a ’60s and ’70s style of psychedelic and hard rock. The 10 tracks feature the power-jam bashing of drummer Ricard Harryson, the walking baselines of Olle Griphammar, Spiders Superchunk and Archers Of Loaf. Clever hooks and sunny melodies are happily married to crunchy guitars and feedback squeals; and if the lyrics of small-town woes ("Dealin’") and bruised egos ("Kick"), seem quaint, it simply makes the harmonic vocal interplay that much more infectious. For a genre not noted for grandeur, Sundials reach soaring, glorious heights. – Patrick Conlan 8 Rock • Alternative • Jazz • Soul pocket symphony called "Love in the City." The genius of this set is also what makes it so fun. It’s easy enough to gather these singles and more on CD collections like 2010’s Save the Turtles: The Turtles Greatest Hits. With a total time of 38 minutes, every track included here would easily have fit on a single vinyl LP. Having each one on its own side of vinyl encourages maximum interactivity. With an average running time per song under two and a half minutes, this isn’t a set you’re going to play in the garage while changing your oil. This set is tailor made for immersion. Fire up 1967’s number one single "Happy Together" and sing along while watching the platter spin. – Jeff Elbel THE TURTLES 45 RPM Vinyl Singles Collection (FloEd Co/Manifesto) This package was assembled by keepers of the Turtles’ flame (and co-founders) Mark Volman and Howard Kaylan, otherwise known as Flo and Eddie. Spanning eight 7" records, these 16 songs provide an overview of hits and fan favorites, beginning with 1965’s cover of Bob Dylan’s "It Ain’t Me, Babe" and continuing beyond the band’s self-penned 1968 single "Elenore." And gee, you’ll think even the near-misses are pretty swell. B-sides including Warren Zevon’s "Outside Chance" show why the Turtles audience meshed with those of the Byrds, Beatles, Monkees, Lovin’ Spoonful and Moody Blues in the late ‘60s. Kinks frontman Ray Davies wrote another less-recognized the warm, fuzzy wah-wah tones of guitarist John Hoyles and the howling, Janis Joplin-esque vocals of Ann-Sofie Hoyles. At 33 minutes in duration, it’s the perfect rock album, especially in LP format. Spiders have a knack for implementing softer transitions, usually following a heavy riff, by using various instruments (harmonica, piano, cow bell, hand claps). Even a timpani roll can be heard on the title track. Even though there’s not a weak track in the bunch, "Mad Dog," "Hard Times," "Bleeding Heart," and "Lonely Nights" stand out the most. The