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damage that blue is the only color that
comes through. It’s this faded blue thing
that’s just beautiful.
IE: Like Alexander weeping because he
had nothing left to conquer, what fields
do you have left? Movies?
CP: I would absolutely love to. But I have
so many ideas for potential records that I
want to make; I’m just looking for the time
to get on to them. I have two concept
records that I would like to make, but it’s
all about figuring out the order of events. I
also have a lot of material from around the
time of Pang — it isn't rejected material, it
just feels like another project, so I’m look-
ing to get into that, as well. And I don’t
paint, but I do draw. I really love drawing,
and it comes in handy — I end up sketch-
ing a lot of concepts for costumes, set
design, cinematography. I can be a perfec-
tionist, but I think more than anything, I’m
able to communicate with other people just
what I’m seeing.
IE: Like, “I’m wearing cowboy boots and
dancing like an Egyptian in this “So Hot”
video, and that’s that?”
CP: I have a story about those cowboy
boots, actually. They’re not a fashion item
— they’re thrift store cowboy boots. And I
rehearsed in them but planned on getting
nice ones the day before the shoot. So I
took an hour-long Uber to the biggest cow-
boy boot shop in the Los Angeles area, out-
side the city, and I got there, and I didn’t
like any of the boots as much as much as I
like my shitkickers. So I was like, “Alright
— I’ll take another $40 Uber ride back, and
I’m just gonna wear my shitkickers.” But,
as I said, I was just traveling around
Poland, and I visited Auschwitz while I
was there, which is important to me
because my family is from Hungary, and
they left just before WWII. So I was wear-
ing these boots because they’re warm and
comfortable for this day-long trek around
Auschwitz, all the different parts of it, and
I’ll never forget it for the rest of my life. But
these boots started falling apart while I
was there, and it was because we were
walking through a lot of mud, and it was
raining that day. But the boots just started
disintegrating, and I got back to my hotel
room that night, and they were just cov-
ered in mud from Auschwitz. And I could-
n’t stop thinking about what was in that
mud — there must be ashes of human
remains in there, some trace of Zyklon B. It
made me really think about what the fuck
I was doing. These boots were worn in this
music video, which was a very lightheart-
ed depiction of something that was sup-
posed to be hell. And then these boots
actually go to the very real vision of hell
that we have experienced in the last centu-
ry. Those boots had been to hell, and then
to hell again.
IE: Humanity is living through its own
hell right now. Please keep making art to
divert our attention.
CP: I know. And that’s world-wide. And
who knows if great art is just diverting
your attention? But I’ll do what I can. I’ll
do what I can.
116 N. Broad St. Griffith, IN 46319
(219) 924-7868 www.dynamite-music.com
LESSONS • BUY • SELL • TRADE
february
2020
illinoisentertainer.com
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