Illinois Entertainer February 2014 | Page 26

1000 N. ROHLWING RD #13 LOMBARD • 630.495.2141 BRAUERHOUSE.COM MONDAYS: RISQUE BINGO WEDNESDAYS: OPEN MIC NIGHT SUNDAYS: OPEN MIC COMEDY Continued from from 22 Continued page page 24 Why would he relocate to Tennessee? He had good reason. "Nashville is not at all what people think it is," he swears. "It's not all corporate country music – there's an incredible underground rock and roll scene, and an incredible punk and songwriting scene there that's just not country. And I'm from the South, so I wanted to keep it kind of in the South, so Nashville of that transformative move, licensed to his own ASCAP publishing company, Young Town Mountain; King's ASCAP outlet is Effecter, Burns' is Evan Taylor Burns for BMI. "But I don't really sit down and try to write a song with specific subject matter on purpose," he explains. "I mean, if I could write like Johnny Cash, I would, where there's a beginning, a middle and an end. So ("Tall Boots") was definitely out of a place of desperation, and the realization that you cannot help but grow older. So it's just whether you enjoy that or not." What about the track's plaintive line "Young man, 23/ Living on ampheta- SAT FEB. 1 RAINE W/ PIPE DREAMS FRI FEB. 07 • LEGENDARY CHICAGO METAL! DAMIEN THORNE WINTERHAWK ANCIENT DREAMS • OLORION SAT FEB. 8 THE STEEPWATER BAND EARLY SOUND Featuring Members of Local H & Lucky Boys Confusuion, Last Vegas and Young D TUES FEB 11 - FORMER MISFITS VOCALIST MICHALE GRAVES 6'10 • SUPERNATURAL THURSDAY FEB. 13 RUMBLE SEAT RIOT FRI. FEB 14 - VALENTINES DAY THE DUSTY 45s MICHAEL GOODMAN EXPERIENCE FRI FEB. 21 • FORMER PIMPS MY GOD, THE HEAT EGONS UNICAT • TURDLES SAT FEB. 22- DOORS AT 7PM ARMORED ASSAULT WITHOUT WAVES • BLACK4 MEXICAN WEREWOLF FRI FEB. 28 TINY MILES AND THE BIG KIDS ANTONY AND THE TRAMPS, THEM GUILTY ACES COMING SOON: 3/8: JUICEHEAD 3/20: CALABRESE 26 illinoisentertainer.com february 2014 made perfect sense. And I had a couple of friends there, working in studios, who offered me some studio time. I had a circle of friends there, so I figured 'Hey – why not?' And I'll be honest with you – that was probably the best decision I ever made." A few years ago, at 21, Young packed up his truck, left home with his parents' blessing, and moved in with a Music Row buddy until he could afford his own apartment. Optimistically, he imagined the town's publishing-house gates swinging wide to welcome his composing expertise. It didn't happen. "The reality was, everyone there wrote songs. And everyone was good," he remembers of his first wake-up call. "Especially the circle I was running in – everyone was extremely talented. So it kind of put me in my place, as far as wanting to work really hard. So I just took a big step back and just focused on writing for a while, before I ever even performed in Nashville. So it was a good learning experience, for sure." That period lasted nearly a year, while the aspiring artistvworked "shit jobs like every other songwriter, restaurant jobs, waiting jobs." But he was a quick stud K