Illinois Entertainer August 2014 | Page 22

T here are certain things in life that will always remain constant: death, taxes and the fact that Deep Purple remains one of the most powerful, sometimes underrated, and enduring hard rock bands of all time. On August 20th, when the band brings its 2014 Now What?! Tour to Festival Park in Elgin, IL, expect to hear a group at its most compelling and energetic, both in its new material and its legendary hits among them: "Highway Star" and "Smoke On The Water." The new album, while still remaining true to the hard rock sound the band established in 1968 with songs like "Hush" and "Kentucky Woman," offers up a platter of surprises with a sonic landscape that is far superior to most of the records the band has released since the 1970s (thanks mostly to the brilliant production efforts by Bob Ezrin). After an eight year absence from the new record charts, Now What?! has not only been embraced by critics and fans alike, it has taken Deep Purple to Gold record status in Germany, Russia, the Czech Republic and Poland and the Top 20 in the UK. The US market has been a little slower to respond, but the disc is the band's best selling album Stateside in decades. Less than four years away from its 50th an- niversary, the current line up includes Ian Gillan on vocals; Roger Glover on bass; Ian Paice on drums; Steve Morse on guitar; and Don Airey on keyboards, it has been intact for 11 years; and Gillan, Glover and Paice go back to 1969, with Paice being the sole original member. We caught up with Roger Glover last month while the band was in Croatia. He waxed poetic on a number of topics, including the new album, the band's upcoming tour, the sad passing of founder Jon Lord, and the legacy of a group that defined the sound known around the world as "riff rock." IE: A lot of bands that came out of your era have simply given up on releasing new music. They simply feel radio won't support it so why bother? And they just play the greatest hits. Deep Purple has obviously not taken that attitude. Now What? ! is proof of that. Can you talk about it? Roger Glover: Well, yeah. Part of it is because America has been a bit tough for us lately. And the world is a big place. Now, What?! came out and has been a big success. We tour constantly. We are essentially a live band. We tour and tour and tour. It has been a few years since we did America and I am actually looking forward to that. Now, What? is sort of a shot of fresh air for us too. 22 illinoisentertainer.com august 2014 IE: The consumers have changed too. They know it's a live industry now. It has been said that the record industry may be dead, but the music industry is very much alive. It has just gone to mostly a live environment. Because you have always been a heavy touring live band you already had a foothold and that was likely a big advantage for you, right? RG: Yeah, I would say so. Right from the beginning, when I joined the band in 1969, we have just toured constantly. In fact, we toured so much in the '70s it probably killed the band at that point. We were worn out. Good management might have told us to take 6 months off and take a break- but we didn't. In the end, we took several years off! IE: Where did the interest to make a new album come from? Did you feel it was necessary to make it for the rest of the world, even if it might not have that much impact in the United States? RG: Well, that last album we made before this one was eight years before. I did a lot of interviews when the album came out at the end of last year and everyone was asking me, "Why so long?" The reason was that we were touring. We simply toured and toured. In 2012 we did a great tour with a full orchestra; a 45-piece young orchestra. We became a big band. It was not a band with an orchestra; it was simply a big band. And the music became much more jazzier. It was more jazz-oriented than classical oriented. That was a killer tour. It was an experiment we did; we just wanted to do something different. The echoes of that tour can be heard in Now, What?! It was somewhat orchestral in some places. IE: The name, Now, What?! seems to reference something different is coming. Was there a lot of real thought into naming the album that? RG: Not really. Ian Gi [