Illinois Entertainer August 2014 | Page 18

By Rosalind Cummings-Yeates SUMMERTIME BLUES B Blues is great during any season but the summer heat supplies the perfect backdrop for the freewheeling emotional release that the music is famous for. Check out these recent offerings to top off your summer easy living experience: For Pops (A Tribute To Muddy Waters) Mud Morganfield & Kim Wilson (Severn) The blend of Mud Morganfield's throwback baritone and Kim Wilson's jaunty harp seems like an essential pairing but it only happened Kim Wilson and Mud Morganfield after insistent fan requests and the approach of the 100th anniversary of Muddy Waters birth. There's nothing new or revolutionary about a Muddy Waters tribute album, dozens are released every year but Mud Morganfield's position as the eldest son of the legend, not to mention his sound alike and look alike attributes, adds a dose of authority to the 14-track CD. Carefully selected familiar as well as obscure Muddy Waters songs, plus a crack band provide a solid classic Chicago blues collection. The opening track, "Gone To Main Street," showcases Kim Wilson's evocative harp blasts played against Billy Flynn's sharp guitar riffs. "Just To Be With You" serves up more nasty blues riffs, with Mud's intonations recalling his dad but not quite the required fire. By the third tune, the rollicking "Don't Know Why," the party really starts. Mud pushes the band along with an explosive "yeah!" and hits all the right vocal notes that honor his father while adding his own flavor. "Still A Fool" and "I Want You To Love Me" roll along with commanding vocals and spirited playing. Highlights include "My Dog Can't Bark," with Mud growling the verses like he's on a Southside street corner and Kim wailing on the harp like it's his lifeline. "She's Got It" dazzles with swaggering shouts and sizzling harp and "Still A Fool" conjures the haunting, soul-grabbing singing that defines the blues. A slight rearrangement of "I Just Want To Make Love To You" gives a fresh spin to the iconic tune and "She Moves Me," unfolds a mournful and eloquent closer. For Pops delivers a fitting tribute to H