Illinois Entertainer April 2020 | Page 14

By Rosalind Cummings-Yeates RONA BLUES PLAYLIST T hese are challenging times as the Covid-19 pandemic has touched all corners of the globe, all countries, and all societies. The quarantine forces us inside to piece together new routines around an uncertain situation. Music has always been a refuge in fearful circum- stances, and blues literally evolved from pain, so there’s no better time to listen to a blues playlist than now. Blues songs have chronicled many epidemics and disasters, from the Spanish flu outbreak in 1918, which lasted until 1920 and affected 500 million people, to the Delta floods of 1927, which was one of the worst natural disas- release for all of us wondering about this question. "Ain’t Nothing You Can Do" - Bobby “Blue” Bland You can ignore the directives and go out and mingle and touch people, but you also risk the real chance of getting sick and infecting others. Or you can follow the guidelines, stay at home, and practice social distancing. But besides these choic- es, there’s not much we can do about Covid-19. Recorded in 1964 and released in 1974 on the album of the same name, Bobby’s rich baritone expresses the dilem- Howlin' Wolf ters in U.S. history. The music offered an emotional outlet as people battled through the difficulties. This curated “Rona Blues Playlist” col- lects blues songs from different eras; from the 1930s up to today, songs that speak to the circumstances that we are dealing with because of the virus. Some of these tunes may be familiar, others not so much, but they all offer perspective and solace dur- ing this time. "Come On In This House" - Magic Sam There is no sound more enlivening than the guitar playing of Samuel Maghett. Recorded live in 1963, the track appears on Magic Sam Live (Delmark, 1981). The urgency is palpable in his crooning: ”Oh lord/lord/lord/ I’m beg- gin' you/I’m beggin' you/to come on in this house/yeah, this ‘ole house.” Sam is, of course, pleading with a lover, but these lyrics serve as an apt directive for social distancing. "Baby How Long" - Howlin’ Wolf Howlin’ Wolf voices the question that we all feel. How long will we be locked in our homes and separated from the greater community? Howlin Wolf recorded this plaintive Chicago blues classic in 1954, and it appears on Moanin’ in the Moonlight (Chess, 1959). Wolf churns out tasty harp licks before bellowing “How long/baby/how long/how long/how long/ baby/how long/ how long.” The longing in his voice offers a musical ma with evocative flair: “When you lose your love one/it makes you feel so blue/and then you’ve got a heartache/and there ain’t nothing you can do.” The upbeat rhythm, paired with his smooth vocals, can't help but uplift spirits. "Waiting for The Tide To Turn" - Robert Cray Being holed up in the house, waiting for the numbers to fall, and the pandemic to end is the order of the day. Robert Cray recorded the essential anthem for our plight on 1983's Bad Influence (High Tone). Bob lays out the situation; “My nights are long/ I’m all alone/my money’s short/ so I’m sticking close to home/and wait- ing/waiting for the tide to turn/time will bring on some changes/that’s one thing that I’ve learned.” This is some clear advice to follow. "Beer Bottle Boogie" - Koko Taylor So you’re at home all the time, what do you do? Well, there are a variety of options. The Queen of the Blues offered up an interesting suggestion from her 1985 album, **Queen of the Blues (Alligator). Belting over a contagious boogie, Koko declares that beer and dancing are great pastimes. “Well I don’t like beer /when it goes too fast/don’t like foam/and a muggy glass/you pour it out slow/and let the beats come on/I drink good beer/when I go home/I got the beer bottle boogie you know/the beer bottle boogie for sho’/everybody's doin’ it/beer bottle boogie now.” Continued on page 18 14 illinoisentertainer.com april 2020