Illinois Entertainer April 2014 | Page 49

Continued from page 12 Hello My Name Is Sam Continued from page 38 them say that they dig what we're doing is really cool. A friend of ours, Rob Hultz, he plays bass for them now. He was playing with us when we first started jamming, so it was really cool to be able to play with a friend. Mosh: What are your upcoming touring plans? Emily: May 1st, we're starting a tour for a little over two weeks. We're planning on going out west and back. Once we get back from that tour our first night is here in Chicago. We're just trying to play with different bands and in different cities that we haven't played in before. We've been out to the East Coast and we've been in the middle of the country, so it's going to be cool to go out west now and meet some new people. Mosh: What are your expectations and what are you hoping to achieve, especially now that you're signed to Metal Blade? Emily: We have no expectations concerning the band because we've all been friends for awhile, and this friendship was something that meant getting together on the weekends. So it's totally exceeded anything we've ever expected. When it stops being fun, I think we'll stop doing it. There's no point in forcing yourself to do this. We're just really excited for the record to come out and for people who might not have heard it yet or might not have had access before Metal Blade came in. They're going to get it out to way more people than we ever could have. I'm just excited for people to hear it and I hope they like it. I hope that we can eventually tour over in Europe. I think that's everybody's next big goal and we're trying to do that in the fall. MOSH-WORTHY: Nervosa Victim of Yourself (Napalm Records), Holy Moses Redefined Mayhem (Steamhammer/SPV), Benighted Carnivore Sublime (Season of Mist), Whitechapel Our Endless War (Metal Blade Records). MOSH-WORTHY LIVE: Carcass, Black Dahlia Murder, Gorguts, Noisem (House Of Blues, 04/05), Iced Earth, Sabaton, Revamp (House Of Blues, 04/06), Destruction, Krisiun, Exmortus (Reggie's, 04/10), Ghost (The Vic, 04/19). MENTION-WORTHY: Local rockers High Spirits are set to release their highly anticipated second album, You Are Here, on May 13th through Hells Headbangers Records. It's loaded with hard-charging tracks that will certainly raise the band's stock. New supergroup of sorts, VHF, featuring legendary bassist Tony Franklin (The Firm, Blue Murder), guitarist Joel Hoekstra (Night Ranger, Trans-Siberian Orchestra, Rock Of Ages) and drummer Todd "Vinny" Vinciguerra, are working on their new EP, Very High Frequency. It's being mixed by Tommy Kessler of Blondie and is tentatively scheduled for a "spring" release. just kinda weird and really sums up the feel of our album and we liked it, so we went with it. What do you look forward to most about being back on the road? We are pretty much always on the road. We haven't played a Chicago show in quite awhile though, so we're excited to play here in April at HOB (4/17). The challenge with Chicago is that there's been no real rock radio until now with the return of "Q101" (now WKQX). But that's been a challenge because we went to them all excited for them to play our new stuff (especially with us being a Chicago band), but they said they won't play it. So that really disappointed because "Q101" was a staple here while we were growing up. In fact they were the first station to ever play our music. But we're just really happy that there are people who still love rock music, so we are excited to get out there on the road and play for them. How much has the music business changed since you guys first started? The biggest difference is that nowadays people need and want stuff at exactly the moment they want it – and if you don't give it to them at that moment, they instantly lose interest. So the question becomes, how do you create and build something when nobody is patient enough to sit by and let it build? I think that rock & alternative have been devastated more by all these changes in the music world than every other genre. And, nowadays as a band, you really have to just work within the confines of what you're handed – so we do. For instance, as a band, we run our own website, Facebook, Twitter, etc. That's been really cool being able to connect with people directly, and they know it's us and not someone else answering stuff on our behalf. We just always gotta figure out how to make time for it, but it's been great. You're coming up on 20 years together as a band – what's still the same, and how have you grown and evolved the most? We are still exactly what we set out to be – a hard-rock melodic band. And, we always wanna keep being on stage playing these types of songs. But, of course our styles, our ideas, and our ideals always keep evolving. You never expect to be able to actually have a career in music, so we are always grateful for that. The hard part though is that even after all we've done (six #1 singles, thirteen Top 5 singles, four million records sold, sold-out shows worldwide), it's still hard for people to know who we are. We still get turned down. You can do all these things in a career and one person turns you down, and it still affects you, and you wind up asking yourself, 'What am I doing wrong that people still don't know me?” For example, we were interested in working with this certain guitar manufacturer because we use all their stuff, but they turned us down and said they just weren't working with any bands right now. But then, we go on their website and see all these bands they're working with, and we feel like our band has done more than 95 percent of the bands on there. It's frustrating because we worked our asses off for this, but still get turned down. I'm still surprised every week by it. It's amazing how hard it is to make an impact. Chevelle appears at House of Blues, Chicago on Saturday, April 17. Q&A conducted by Carter Moss. april 2014 illinoisentertainer.com 49