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Race, Class and Gender Let's talk about racism and discrimination from the perspective of art Marthadela Tamayo González Arco Progresista - New Country Antilla, Holguin, Cuba T he X Anniversary of the Committee Citizens for Racial Integration (CIR) was celebrated at the headquarters with the educational cultural workshop Let's talk about racism and discrimination from the perspective of art. This initiative was open to all actors —in their diversity— of the Cuban civil society, who are sensitized with the need to enhance the debate on racial issues in the public sphere and to develop structured dialogues on the reality of the African descent given the absence of applicable state policies. Juan Antonio Madrazo Luna, Coordinator of CIR, briefly described the work content of the organization. He referred to the support by institutions such as the Cuban Integration Platform, the Caribbean Affirmative Corporation in the Colombian Caribbean, the Cuban Human Rights Observatory and the Institute of Race, Gender and Equity Human Rights. He also insisted on looking for new actors not only among the activists, but also within the communities, where new leaders of opinion could feel committed, starting from the art, with the fight against racial discrimination. The workshop was conducted from the participatory dynamic perspective. The artists were the main actors in an exercise of brainstorming on how to tackle racism and to deal with it starting from community work and popular culture. It was also addressed what contributions can be made by the popular culture and religiosity. The critic, teacher and artist José Clemente Gascón talked about the influence exerted on the community by priests of popular religions from African origin, and about the footprint of the syncretic cults in the Cuban art. The Coordinator of CIR summarized the book The African Footprint in Cuba (2015), by researcher and anthropologist Juan Antonio Alvarado Ramos, who synthesized the historical and ethnographic knowledge accumulated in more than three decades of research in Cuba and among the Bakongo and Ambundo peoples in Angola. The book facilitates the dissemination of knowledge about the complex life stories of enslaved Africans and their descendants. Thus, it 32