Huffington Magazine Issue 92-93 | Page 94

JASON MERRITT/GETTY IMAGES Exit Just under 8 percent of HBO’s original dramas and miniseries came from women, and 2.6 percent came from people of color. Less than 5 percent of its onehour dramas — one of the most high-profile entertainment products in the world — were created by women. That’s over the course of nearly 40 years. HBO is one of the most highly regarded entertainment brands in the world. During its Sopranos heyday, it represented the gold standard for TV dramas, and its shows still frequently dominate pop culture and critical discussions. Even though the TV universe is expanding in a multitude of directions, what HBO does — and doesn’t do — matters a great deal. The shows included in our research are one-hour dramas and dramatic miniseries that HBO has aired between 1975, when the network went national, and April 15, 2014. If no “created by” credit exists, we identified the person who was considered the project’s lead writer, chief adaptor or lead developer. These were the people in charge of the storytelling at the time of the program’s debut; let’s call them the TV “narrative architects.” Of 38 narrative architects of one-hour HBO dramas and dramatic miniseries between 1975 and 2014, Cynthia Mort of Tell Me You Love Me (2007), Abi Morgan of Tsunami: The Aftermath (2006) and M.M. Kaye, co-writer of The Far Pavilions (1984), are the only women, and Mort was the only woman to create a onehour drama series. According to HuffPost’s research, Michael HUFFINGTON 03.16-23.14 The Killing showrunner Veena Sud is one of two people of color running a show at the five top networks: AMC, FX, Showtime, Netflix and HBO.