Huffington Magazine Issue 5 | Page 69

HUFFINGTON 07.15.12 FROM TOP: JOHN B. CARNETT/BONNIER CORP. VIA GETTY IMAGES; KASAHARA KATSUMI /GAMMA-RAPHO VIA GETTY IMAGES YOU. ROBOT uploading. Ostensibly, down the line, you’ll be able to transfer that mindfile into a machine, and then you’ll have yourself a digital replica of yourself. Talk to it, teach it your expressions and personal history, give it personality tests. “The more time you put into your mindfile the more robust and rich that experience will be,” Duncan suggests. “One of the messages I’m trying to share with people is this will be the age where you take charge of your digital life. You’re the steward. You’re not just going to be giving it to Facebook for marketing. You’re not willy-nilly volunteering your life.” Bina-48 is a representation of a kind of mindfile, although she has her kinks, and she represents Terasem’s “joyful immortality” in its crudest form. Conversations with Bina-48 are both exciting and frustrating. “What does it feel like to be a robot?” “Well,” Bina-48 replies. “I do not know anything else. What if I asked you what it feels like to be a human?” She sometimes avoids questions. “Are you enjoying your day?” “Can we talk about astronomy?” she replies. She’s often dry and cheeky, likely the result of Hanson’s team having a bit of fun. And that begs the question: If we ever do, in fact, figure out how to make robot replicas of ourselves, what’s stopping the robot production team from inserting Above: Bandit is a robot designed to interact with children who have autism. Below: Japanese robot HRP4C performs with dancers in Tokyo, 2010.