Huffington Magazine Issue 5 | Page 62

HUFFINGTON 07.15.12 YOU. ROBOT wholly human. One of the most advanced humanoid robots on Earth is ASIMO, which was created by Japanese technicians at Honda. ASIMO walks upright almost flawlessly; he avoids obstacles and can fill up a water glass without dropping anything — one of the most complicated algorithms to perfect. For a few years, ASIMO lived at Disneyland, where he made demonstrations. He’s kind of cute to watch, not frightening. Perhaps that’s because the creators of ASIMO gave him a humanlike body, but opted out of a humanlike face. ASIMO’s face is actually completely blank. There’s nothing there — so he’s a technological marvel, rather than a threat. The animators at Pixar also understand this. The human characters they created and featured in Toy Story or Up or The Incredibles are spectacular, but are still cartoons. People don’t want to see animated movies where the people look exactly like real people. That wouldn’t be enticing, like in Wall-E. Instead, it might be it a little scary, like in The Polar Express, a children’s film that attempted an extremely realistic computer animation style. Critics of Polar Express said the eerily human-seeming animation felt “soulless” and “emotionally frigid,” while others, like Roger Ebert, called the animation some of the most “visually magnetic” he’d ever seen. GENIUS CAPABILITIES. Among top robot-makers are enthusiasts like David Hanson, who designed Bina-48 as well as other humanoid robot versions of Albert Einstein and Philip K. Dick. Those designers want to ultimately create robots that are as smart, and realistic, as possible. “In a way these robots are a mirror, and scientifically they’re science experiments,” Hanson says. He believes uncanny valley is “incomplete” and doesn’t reflect the complexity of the current human mind. “My goal,” he said, “is to create friend machines. Friendly genius machines. Machines with genius capabilities.” Hanson works out of a lab in Plano, Texas, and brings artistic and scientific lenses to his craft. Like many of his colleagues and