Huffington Magazine Issue 35-36 | Page 53

THE OSCAR ISSUE / HUFFINGTON / 02.10-17.13 hx ei t o s c a r best picture HOGAN’S PICK: ARGO I’ll admit it: I’ve been gunning for Lincoln ever since the movie opened, and I thought its league-leading 12 nominations meant certain victory. But Argo has absolutely torn up the precursor awards, winning Best Picture equivalents at the Golden Globes, the PGAs and the SAGs, to name just a few. I don’t know if people are pissed that Affleck got snubbed for Best Director or if they just really, really like the movie (its Rotten Tomatoes score stands at 97%), but I have a feeling they’ll be partying in the embassy on Oscar night. ROSEN’S PICK: ARGO It’s always dangerous to put too much stock in the Oscar precursors, but the momentum that Argo has at the moment feels like a legitimate movement. But should we even be surprised? Argo was always the mainstream movie that everyone could agree on — it’s not “boring,” like Lincoln; it’s not controversial, like Zero Dark Thirty; it’s not a comedy, like Silver Linings Playbook. The only bump in its road to Best Picture was Affleck’s unforgivable Best Director i s s u e sectionRUSH THE GOLD snub. That’s the anomaly here. To oneup your hack Argo reference: Lincoln is stuck at the gate. best director HOGAN’S PICK: STEVEN SPIELBERG, LINCOLN I always thought Affleck was going to win this category — until he got snubbed, along with Kathryn Bigelow and Tom Hooper. You might almost say it was an honor not to be nominated for Best Director this year. Still, I think Spielberg deserves credit for (a) hiring Tony Kushner, (b) casting Daniel Day-Lewis, Sally Field, Tommy Lee Jones I DON’T KNOW and the rest of the amazing IF PEOPLE cast and (c) making a movARE PISSED ie that earned 12 freaking THAT AFFLECK nominations. ‘‘ GOT SNUBBED FOR BEST DIRECTOR OR IF THEY JUST REALLY, REALLY LIKE THE MOVIE … BUT I HAVE A FEELING THEY’LL BE PARTYING IN THE EMBASSY ON OSCAR NIGHT. ‘‘ te ROSEN’S PICK: MICHAEL HANEKE, AMOUR Record scratch! This pick is straight-up insane, and I have nothing to base it on except this: Amour had a surprisingly strong showing with the Academy for a foreign film, earning an almost unheard-of five nominations, including Best Picture, Best Actress and Best Original Screenplay. The support for