Huffington Magazine Issue 15 | Page 59

chapter 2 fiction HUFFINGTON 09.23.12 ing red metal Sears Roebuck tool chest, is also in the way, its open drawers a menace to knees and elbows. There are wires draped from the crash cart and tubing everywhere. At the center of all this lies the patient, the only one in the room who isn’t shouting. The patient doesn’t move at all. This time it is an elderly woman, frail to the point of wasting; her ribs arch above her hollow belly. Her eyes are half open, her jaw is slack, pink tongue protruding slightly. Her gown and the bedding are tangled in a mass at the foot of the bed; AT THE CENTER at a glance you take in the old mastectomy scar, the scaphOF ALL THIS LIES oid abdomen, the grey tuft THE PATIENT, THE between her legs. At the head ONLY ONE IN THE of the bed, a nurse is pressing ROOM WHO ISN’T a mask over the patient’s face, SHOUTING. THE squeezing oxygen through a PATIENT DOESN’T large bag; the woman’s cheeks MOVE AT ALL. puff out with each squeeze, which isn’t right. Another nurse is compressing the chest, not hard enough. You shoulder her aside and press two fingers under the angle of the jaw. Nothing. A quick listen at her chest: only the hubbub in the room, dulled by silent flesh. Pile the heels of both hands over her breastbone and start to push: the bed rolls away. Falling half onto ѡ