Huffington Magazine Issue 15 | Page 127

epilogue Music & Literature HUFFINGTON 09.23.12 New Day Rising by Hüsker Dü This record was released in 1985, on SST Records, and I was in graduate school at the time, at Columbia, and drinking too much. This album, therefore, was a great tonic in bad days. The track that made the deepest mark was “Celebrated Summer,” which featured: “Getting drunk out on the beach, or playing in a band / And getting out of school meant getting out of hand.” Beside the nostalgia of this thought, the tenderness of it, which was not something we associated with Midwestern hardcore in those days, there was an acoustic guitar break in “Celebrated Summer.” I got it, the loud and fast part and the quiet part, and falling in love with this track then led to their great cover of “Eight Miles High,” originally by The Byrds, which led to their masterpiece Zen Arcade. Bob Mould, who wrote 51 percent of the songs, made some great music later, but no one who was in Hüsker Dü ever again scaled these heights — of tenderness, nostalgia, vulnerability, and rage. I was never quite that way again, either. Anthology of American Folk Music Various Artists I guess if I’d had especially hip parents, I might have heard about this recording in the sixties, but I didn’t have hip parents. So I was primed for the CD re-release by Smithsonian Folkways in 1997. I had started gravitating toward quieter things by then, things that preceded digital recording, things that had traditional arrangements (where banjo and fiddle were especially relevant). I also loved (and love still) the lyrics of old folk songs. Those songs were all murder and union halls and disconsolation.