Homosurrealism Magazine #46 | Page 7

And yet the denizens of these inferior jerkwater dimensions truly believe they control the destinies of Wild Children–& down here, such vicious beliefs actually sculpt most of the substance of happenstance.

The only ones who actually wish to share the mischievous destiny of those savage runaways or minor guerillas rather than dictate it, the only ones who can understand that cherishing & unleashing are the same act–these are mostly artists, anarchists, perverts, heretics, a band apart (as much from each other as from the world) or able to meet only as wild children might, locking gazes across a dinnertable while adults gibber from behind their masks.

Too young for Harley choppers–flunk-outs, break-dancers, scarcely pubescent poets of flat lost railroad towns–a million sparks falling from the skyrockets of Rimbaud & Mowgli–slender terrorists whose gaudy bombs are compacted of polymorphous love & the precious shards of popular culture–punk gunslingers dreaming of piercing their ears, animist bicyclists gliding in the pewter dusk through Welfare streets of accidental flowers–out-of-season gypsy skinny-dippers, smiling sideways-glancing thieves of power- totems, small change & panther-bladed knives–we sense them everywhere–we publish this offer to trade the corruption of our own lux et gaudium for their perfect gentle filth.

So get this: our realization, our liberation depends on theirs–not because we ape the Family, those “misers of love” who hold hostages for a banal future, nor the State which schools us all to sink beneath the event-horizon of a tedious “usefulness”–no–but because we & they, the wild ones, are images of each other, linked & bordered by that silver chain which defines the pale of sensuality, transgression & vision.

We share the same enemies & our means of triumphant escape are also the same: a delirious & obsessive play, powered by the spectral brilliance of the wolves & their children." Hakim Bey