HIMPower Magazine October 2015 | Page 16

And block buster movies like Shaft, Foxy Brown and others, demonstrated to the movie industry how profitable it was to include African Americans in leading roles. It wasn’t long before television followed suit. More and more TV programs began including African Americans in prominent positions. Eventually, we began seeing African Americans as news anchors. It was a huge deal for the African American in front of the camera and for all those tuned in who looked like them. What was not known by the majority of African Americans at that time, was the “brothers and sisters” in front of the camera had little influence on what they reported. The real power—the decision makers—were behind the camera and it would be a long time before African Americans were invited to this elite group. Fortunately, this began to change within the past 20 years. However, there are still only a few African Americans in the position to help influence what gets reported. One such individual is Denise Hendricks, Senior Producer, HLN Morning Express with Robin Meade (CNN). You won’t see Hendricks in front of the camera. Yet, the blessing is that she handles production for one of the most recognizable news programs in the industry and the world. Needless-to-say, without African Americans like Hendricks behind the scene to influence what is seen on camera, there would be no checks and balances to ensure the news isn’t one-sided. We caught up with Hendricks recently and learned some surprising things about her 16  HimPower October 2015 background that not only confirms she has the credentials to be in the Senior Producer’s chair, but the Christian upbringing and education that gives her a unique insight and perspective about what is happening in our communities and what can be done to help solve some of the problems—especially for African American youth. So Denise, you’ve been a senior producer with HLN’s Morning Express with Robin Meade for three years. What is a typical day is like for you? I start my day around 4:15 AM and I’m usually at work by 5:30 —6:00 at the latest. Every day is different. The morning express team is comprised of an executive producer, senior producers, copy editors, line producers, writers, and associate producers —it takes a village to get the news on every day. The majority of the team starts at 2:00 or 3:00am. We have a different producer for each hour that we’re live and there are usually six writers to cover those four hours. Senior producers oversee the editorial content, special series, guest segments, and planning for the future segments, as well as overall day-to-day execution. I know HLN Morning Express is a spinoff of CNN’s 24/7 news organization, tell me how its format differs? HLN Morning Express with Robin Meade was formerly Headline News and airs from 6:00a-12:00. It is live from 6:00a-10:00 covering a wide range of national and international news and trending topics. The last live hour, repeats from 10:00a-12:00. You were with the CNN organization earlier in your career, right? Yes, I started with CNN on their domestic side in 2004 as a producer. Then, I moved to Chicago, less than a year after arriving at CNN. Why did you leave when your career was taking off at CNN? I got an opportunity to go work for The Oprah Winfrey Show as one of her producers for five years from 2004-2009.Two seasons before the show ended, I was offered an opportunity to help launch BET’s late night talk show “The Mo’Nique Show” which was actually being taped back in Atlanta, so I moved back to the South. I worked with The Mo’Nique Show for two years before it was cancelled. Approximately one month after, I was offered a position to help ABC launch a talk show called The Revolution in New York City. It was a lifestyle make over show with five hosts which included style guru Tim Gunn, celebrity fitness trainer Harley Pasternak, and former Extreme Home Makeover host Ty Pennington…that show lasted approximately a year. The show was over, but my contract hadn’t ended so I stayed in New York while I figured out what direction I wanted to go in. So, it was a good time for me. After spending some quality time sorting out your future, how did you decide what was next? During that month, actually it was after about two weeks, I got a call from HLN. That was in 2012 and they were launching some new shows. I was hired for a contract field producer position for six weeks while they were launching the shows. I worked the six weeks, and they kept extending the contract. In November, we discussed a full-time, senior www.pneupathforliving.com  17