Hello Monaco #08 Winter 2019–2020 HM 2019 #08_web | Page 72

CELEBRITY QUOTES АBOUT GRACE «SHE’S TOO EVERYTHING»: Princess Grace In The Eyes of The Famous «ОНА СЛИШКОМ ВСЁ»: Grace Kelly's acclaimed role in «The Country Girl» brought her an «Oscar» as Best Actress at the Awards in 1955. I t is very interesting to look at Princess Grace through the eyes of people who had the privilege of working with her or knew her. Whether famous actors or directors or the best stylists or photographers they all were moved to voice their praise.   It is indeed revealing how the effect of hard work added to her natural qualities and cre- ated layer upon layer of perfection. Grace Kelly worked first in theatre, then in television and finally, of course, as an enduring icon in film in Hollywood.   She had started her acting career in Broad- way in New York as she honed her skills in the theatre. The critics seeing her for the first time commented: «She has a naturalness that owes nothing to artifice. No airs, a simply charming freshness». Dozens of television episodes and myriads of TV commercials were part of the almost 70 / Hello Monaco Winter 2019–2020 www.hellomonaco.com Grimaldi / ПРИНЦЕССА ГРЕЙС ГЛАЗАМИ ЗНАМЕНИТОСТЕЙ forgotten journey where Grace perfected her acting skills. We all remember her as a famous star. But stardom like genius is 99 % perspira- tion and 1 % inspiration.  GRACE IN THE WORLD OF CINEMA AND CULTURE — PUTTING THE FINAL TOUCHES ON THE SWAN I n an adapted version of Ferenc Molnár’s «The Swan» (1956), Grace as a princess must decide between young love and a destiny tied to duty, a future where she will «glide like a dream on the smooth surface of the lake and never go on the shore… There she must stay, out on the lake, silent, white, ma- jestic». An uncanny glimpse into her destiny!   Director of film and television Ted Post: «Her beauty alone was spellbinding… but Grace Grace Kelly is listed 13th among the American Film Institute's 25 Greatest Female Stars of Clas- sical Hollywood Cinema. was also very determined and worked hard. She listened to you and applied what you said».   Cary Grant marvelled at Grace’s sang-froid when confronted with pages of dialogue on the set of «To Catch a Thief». But Grace had spent hundreds and hundreds of hours in ear- lier years working with scripts to develop that assurance.    Given his turn, film director John Ford who cast her for «Mogambo» (1953) said with Ameri- can bluntness: «This dame has breeding, qual- ity and class».   Photographer Howell Conant would observe her as a very good dancer: «She had a dancer’s awareness of her body; in her every gesture».