Handicraft Magazine Spring 2014 | Page 8

08 Crafts in your area What if fine art is just about creating a pretty picture for people to appreciate? Art is more than just prestigious painting, as Phil Coates argues, instead it can just be simplistic - something for a person to enjoy or to match someone’s colour scheme. Nikki White interviews Phil Coates to find out more about his experience of what fine art is. P hil Coates, Northamptonbased artist and teacher of fine art, strongly believes that art is about more than the art world perceives it to be. As a philosopher, Phil believes that art can be something more than just commercialism. He believes that art should be focused on creating a picture of something to be enjoyed. He argues that art is a “skill-based” craft and uses environmental context to give it a deeper meaning. Yet, the art world is “revolved around exhibitions and making money.” “It’s important to focus on drawing and painting skills as a degree. In college, A Level art is very broad. The curriculum normally consists of studying the history of art, the profile of several artists, and gets the students to paint in their style. This means students don’t get the chance to develop their skills.” Phil has achieved two separate fine art degrees, one at the University of Northampton, which was solely based on making commercial art for exhibitions without development of drawing and art skills. “It’s important to focus on drawing and painting skills as a degree. In college, A Level art is very broad. The curriculum normally consists of studying the history of art, the profile of several artists, and gets the Phil Coates, artist and teacher of art at the Portfolio Innovation Centre “Once students realise they are required to produce art for commercial reasons, they start to believe that the only chance that painting could ever become their career is if they create a certain style that is attractive to art dealers and professionals in the art world.” students to paint in their style. This means students don’t get the chance to develop their skills.” Phil argues that the lack of freedom in university courses adds to the need to produce art for commercial reasons and create a certain style that would be attractive to a group of people viewing an exhibition. “Once students realise they are required to produce art for commercial reasons, they start to believe that the only chance that painting could ever become their career is if they create a certain style that is attractive to art dealers and professionals in the art world. “Andy Worhol is a famous pop artist and, for example, his sketchbooks sell for a fortune because they belonged to someone who has a well-known and appreciated style.”