Guitar Tricks Insider November / December Issue | Page 15

NUGGETS FIG. 1 Fig. 1 G7          C7                       4 3 4 3 4 3 4 3 3 3 3 3 3 2 3 3 2 3 3 2 3 3 2 3 Blues being based on I-IV changes and swing music being profoundly blues “hued,” smooth efficient chord choices are a requisite. Fig. 1 contains what is recommended as your default I-IV dominant changes. Performance Tip: For the G7, low to high: Index, middle and ring fingers. For the C7: Middle, index and ring fingers. FIG. 2 Fig. 2 G7                   4 3 4 3 4 3 3 3 3 C7/G              4 3 3 2 3 2 3 2 3 2 3 3 3 3 3 Fig. 2 shows a variation on Fig. 1 with the IV (C7) chord as a second inversion voicing with the 5th (G) on the bottom. It can be especially useful in a solo or small group situation where you have more freedom with less fear of clash- ing with other chordal instruments. Performance Tip: For the C7/G: Middle, index and ring fingers. NOVEMBER / DECEMBER DIGITAL EDITION GUITAR TRICKS INSIDER 15