Guitar Tricks Insider August/September Issue | Page 39

COVER STORY a sudden the guitar became a voice. I’d always rather hear the guitar than the vocalist. Nothing personal to anybody – I’m just that kind of guy. I love the voice of the guitar. I can hardly wait for people to stop singing so somebody can just play guitar. I love the voice of the guitar as a soloist. That’s why we love Peter Green, and early Eric Clapton, and now the new Eric Clapton.” So what are the elements that make up a good solo? His answer: “Tone and oneness.” Refining it further, he brought it down to how to fill up one note and every note. He said, “A musician is a juggler. You’ve got to coordinate five things. If you put your hand in front of you, there are five things that have to go into one note: soul, heart, mind, body, and your cojones. Those five things have to go into each note you play.” “SOUL, HEART, MIND, BODY, AND YOUR COJONES. THOSE FIVE THINGS HAVE TO GO INTO EACH NOTE YOU PLAY.” AUG/SEPT “I was born with the gift of music. We are all born with different gifts. I knew I was going to be a musician and I didn’t care about algebra or anything else in school. I just knew. It was either a blessing or curse. I knew when I was in junior high school and high school that nothing else would matter to me. The last day of Mission High School in San Francisco people were saying, ‘hey what are you going to do, man – tomorrow when you are out of school?’ I said I’m going to be playing with B.B. King and Michael Bloomfield, yadayada. They started laughing at me. I said, ‘why are you laughing?’ They said, ‘oh yeah, right.’ I said, ‘you can laugh all you want to but that’s what I’m going to do, man. I’m going to play with Michael Bloomfield and B.B. King and all these incredible people because that’s what I want to do. That’s who I am.’ For me it was easier because my laser beam concentration, once pointed determination, wouldn’t deter me from hanging around Miles Davis, or Jerry Garcia, or Bill Graham. I just knew that DIGITAL EDITION 39