Guidance on Generating Content | Page 14

GO BACK TO TABLE OF CONTENTS External Photo Resources: There are a number of valuable external resources that can also provide guidance on how to take good photos. •• How to take photos (Seven tips from a Reuters photojournalist) •• For examples of good visual storytelling: Social documentary photos Magnum photos Capturing Film Broadcast Cuts Increasingly, video is being used to illustrate the impact of projects on the ground. The expansion of video websites like YouTube and Vimeo has provided an important opportunity to reach a growing new audience and communicate about the project achievements and success stories. Once a video is collected, one way to enhance interactivity and use of media would be to create a broadcast cut from the footage to share these stories on UNifeed: http://www. unmultimedia.org/tv/unifeed/ Filming Suggestions: When defining the focus of the film or identifying where to start, these considerations may be helpful: UNifeed is the UN wire service that gets sent to more than 800 broadcasters worldwide, which means that news agencies will likely pick up a story and get more views for videos, knowledge products, etc. •• Film each shot for at least six seconds before stopping. Check out UNifeed’s stories •• Keep the shot steady, do not zoom in and out, and keep your subject in the centre of the frame. •• Stay away from disparate light sources, i.e. windows, bright fixtures, mirrors, etc. •• Keep the background simple and not too busy - 7 tips from a Reuters journalist. a plain wall is fine, as long as the subject being filmed is not right up against it. Distracting movement and/or colours (e.g. children playing in the background of a talking-head interview shot) makes for unsuitable backgrounds. •• If they use it, show it - if the subject is using their hands, keep their hands in the frame •• Err on the wider side, rather than framing the person too close - you can always crop the image, but once it’s shot, you can’t go wider •• Try to film somewhere quiet and without a lot of background noise. Be careful not to fidget or make noise yourself - the microphone can pick you up just as easily as the person you’re interviewing. •• Make sure to capture cutaways shots to facilitate Social Documentary Network 12 the editing process (close ups of hands, detail in hair, glasses, flowers near interviewer, etc – anything you can later use when you need a shot to help you change to another moment of the video) GENERATING CONTENT ON CCAF NATIONAL PROJECTS: GUIDANCE FOR CAPTURING AND CREATING STORIES, PHOTOS, AND FILMS A video showing activities and results of a climate change adaptation project in two provinces of Cambodia. Click here to view the video through YouTube GENERATING CONTENT ON CCAF NATIONAL PROJECTS: GUIDANCE FOR CAPTURING AND CREATING STORIES, PHOTOS, AND FILMS 13