Groove Magazine Zimbabwe Issue 1 | Page 81

GM.: Is there a difference between being a club dj and being a radio personality/dj? DJ Banks: There’s a very, very big difference. I think that one major difference is being a radio dj; your focus is mainly on interacting and talking to the people. You have got your music set out for you. You’ve been told already what you have to playit’s like a script. But being a club dj, you have to be creative. You have to be creative with song selection, reading the crowd and what people like. That’s basically it, the major difference. GM.: Who is inspires you? DJ V: Wow! You know the concept of Shumbatafari is a professional, international brand that whenever Banks gets called to Madagascar, or Amsterdam or Budapest, he’s going to play you see now. Let’s just say Banks has his own music genre, when I turn on the radio without even finishing the song automatically I’ll know that it’s Banks, because he has his own style of music. The speed of the song, or the way he samples his beats, that’s DJ Banks. Shumbatafari style is that we don’t copy other people although we have people that we look up to for standard of play or the people that take us to the next level. They are trendsetters for everyone; anyone can have his own style. DJ Banks: Yeah before I started I used to envy two guys based in SA, DJ Reddy D, and then the American dj, DJ Sleek, I play his extended version and now I’m doing my own, but that’s one guy I like his sound. DJ V: As for me on that aspect I like DJ Euphonik, Chrisen, and I could take Kent. There is this guy who’s coming up in SA, his name is DJ Crystal. He has a unique sound. Although my style of playing is totally different to theirs. I have learnt songs that are appealing to you as a Zimbabwean, not take their style as other djs. So I mix, well we all do that, get a local blend. I think that we were the first djs to be mixing local songs in our sets with people dancing because local dancehall was seen as something that was out but then I heard Banks playing, ‘Takaipa,takaipa’ and everyone was jumping and you know it just changed the vibe at Rugby bar. GM.: What is the market like for club djs? What could be done to improve it? DJ Banks: I don’t know. It seems that the crowd, I’ll talk more of Harare because that’s what I know. They are moving to outdoor venues. They don’t want to be closed up, they are more about outdoor-open events e.g. Rugby Bar, paHuku-people want air. So I don’t know maybe it’s because there are not that much took at-to look forward to in terms of clubs. There are quite a few that are top notch that you can enjoy yourself freely with no havoc, good infrastructure, they are very few. So maybe if there are few that pop-up; that improves the club scene. GM.: You play on our local radio stations. What is it like? Is there a difference between radio and the live scene? DJ V: There is a big difference. Playing on radio is for listening. There are some songs that you cannot play on air that you can play on a live set and there are those that you can play on radio. Radio reaches out to many people like many things are involved when playing on radio such as censorship, timing and stuff. So imagine that you’re playing in a closed room and there’s no one dancing in that room except you nodding your head and some boring host who is busy writing his notes. But there is another guy in a kombi planning his night, right there and he is blasting his speakers and there is a granny who is sitted by the radio. DJ Banks: (Laughing) wondering what the hell? You can’t control the crowd. DJ V: You are playing to a bigger crowd. But what you can do now, you have to blend your music to suit everyone and everyone can appreciate what you are doing at that particular moment. 79