Groove Magazine Zimbabwe Issue 1 | Page 71

SCENE SHOKO FESTIVAL FEATURE Having attended Shoko Festival we couldn’t just let the event pass by without asking at least one international artist to share with us their view of the festival and Zimbabwe as a whole. Lucky for us we got hold of Tanzanian musician, Mzungu Kichaa who was more than glad to share with us not only his journey as an artist in Africa , but the Shoko Festival experience. GM.: Jambo, and welcome to Groove Magazine Zimbabwe. Please tell us about Mzungu Kichaa. Who is he? MK: That is a hard question. I always prefer it if someone else tells the story of who Mzungu Kichaa is. It is hard to talk about oneself, but I will try. I was born in the countryside in Denmark and I grew up in Zambia, age 6 - 10, in the rural village of Mapanza, where I went to the local primary school. I think this is where I became “African". Just like a child with one African parent or some kind of birth-given connection “I grew up in Zambia, age 6 - 10, in the rural village of Mapanza, where I went to the local primary school. I think this is where I became “African". ” to Africa, I decided to really take up Tanzanian culture and the language when I moved there with my parents at the age of 15. Choosing the name Mzungu Kichaa (crazy white man or murungu anopenga) was a hard process. I guess it is ironic and perhaps also shows that I accept that I am different, but I strongly believe that we are all different regardless of race or were we come from. My calling was to break down racial barriers and to give the negative meaning of Mzungu a new meaning or at least another meaning. GM.: So what inspires your music and how relevant is it to young Africans in general? MK: I am inspired by all music. I even studied the mbira at one point during my bachelors degree in London, under Chartwell Dutiro who was a member of Thomas Mapfumo’s band Blacks Unlimited. I really, really feel this music. My first big inspirations in music (also when I was in Zambia) included Bob Marley, Alpha Blondie, Bhundu Boys, Kanda Bongo Man and Tracy Chapman. Later on I fell in love with Jimi Hendrix. Studying ethnomusicology at university also gave a lot of insight into traditional music from all over the world. But my passion has always been African music. 69