GROOM CGQ_Issue3_Proof_rev2 | Page 17

Poodles | Part One By Emily Mulholland I f you ask nearly any creative groomer what their preferred breed is for creative competitions, they will often name the poodle without hesitation. Usually the standard, in particular, is the most popular, which can often be seen frolicking in creative groomers’ households and salons. White poodles are the most obvious choice for creative, as their coat is a blank canvas waiting to be transformed. Of course, with their porous coat that often readily absorbs colour, creative poodles never stay white for long, at least not in the presence of a creative groomer. Poodles have come a long way from their original purpose as retrievers. Prior to the 15th century, poodles were curly-coated water dogs sent after their hunter’s kill. Pictures from this period show dogs that look similar to the poodles we know today, if you can look past all the hair, that is. Even with all that hair, they could easily accomplish the job for which they were bred. All poodles are well known for being smart. I myself have trained a variety of breeds, but my miniature poodle has been the quickest to learn. Their intelligence and trainability has made them a popular breed for circus displays. The Posnas family chooses poodles for the Posnas Pudel Parade, which tours throughout Europe demonstrating just how smart poodles are. Poodles can be trained for any number of tasks; they have been used for guiding, assisting, search and rescue tasks, agility tasks, tracking, and of course creative grooming.