Graphic Arts Magazine September 2018 | Page 37

Feature story 10 years ago and con- tinue to evolve our digital solutions while par tnering with our equipment suppliers. Right now, we’re moving slowly with digital adop- tion, shorter runs and customization. We know digital has a place in our book business, but matching the right tech- nology to our needs is key. Our run lengths are dropping slowly. How- eve r, o u r te a m a t Friesens continues to investigate digital book printing and finishing equipment, and opportunities in this area. But it’s critically important to take a balanced approach. There is indeed a place for both, but right now 85% of our revenue still comes from offset.” it serves all major business sectors while specializing in adver- tising collateral, direct marketing, stationery and corporate communications – in addition to short-run, digitally printed books. “We’re widely recognized as a printer of choice for short runs and ultra-quick turnarounds, due primarily to our cutting-edge digital presses and full in-house bindery,” said owner John Gnanasekar. Short-run digital books Next month in part two of this series, we’ll examine newspaper publishing and its challenges. At the other end of the spectrum are Canadian companies who’ve successfully carved out their niches by investing in short-run, digital-only book printing – including ‘book-of-one’. Printing Legacy (formerly Printing Icon), a company based in Scarborough, Ontario, is one of those firms that’s been suc- cessful since it opened its doors almost four years ago. Today, “What I’m seeing in the marketplace today is a trend for cus- tomers to order shorter runs, say 50 to 500, then make subsequent changes or updates on a second short run. Even ‘book-of-one’ is gaining popularity because these books can be used to position authors as ‘experts’ in their chosen field – for example, real estate agents, plumbers, healthcare pro- fessionals, and so on. Some even request one book as a proof before ordering more; others may use one book as a high-end prototype. Here, digital short-run printing allows for amazing flexibility without a large financial investment.” Another value- added Gnanasekar often utilizes is the latest finishing technology. “We can use gloss or matte finish laminating films made of nylon that helps prevent curling at a book cover’s edge.” Tony Curcio Editor, Graphic Arts Magazine [email protected] Contact us today for a customized solution. 6-85 Citizen Court, Markham, ON L6G 1A8 T (905)-709-3344 or 1-(888)-709-3345 E [email protected] W insourcecorp.ca @graphicarts GRAPHIC ARTS MAGAZINE | September 2018 | 37