Graphic Arts Magazine May 2018 | Page 17

Cover story improve their competitive edge. UV inkjet remains one of the largest and fastest growing segments in the wide-format market primarily due to the benefits of this technology – such as fast drying, excellent image quality and durability, low running costs and the ability to print onto a wide range of substrates and produce a wide range of applications.” Canon Peter Dulis is man- ager of large-format printers at Canon Canada. “The large-format graphics market continues to be a growth engine for print service pro- viders. Print applications such as wall coverings, tex- tiles and décor are growing rapidly and are expected to continue as end users take advantage of digital printing Peter Dulis, manager of large- technology. A recent Key- format printers, Canon Canada point Intelligence sur vey conducted in December, 2017, with more than 300 PSPs indicated that the number of their clients requesting print turnaround times of 24 hours or less had increased in the last four years from 41% to 61% of all print jobs submitted. This increase in fast turnaround time requires even faster printers delivering more productiv- ity. The survey also concluded that print quality, reliability and cost of operation (in addition to productivity) were important criteria to consider when investing in new printers. “Thanks to digital printing, you can print nearly anything you want on almost any surface. With today’s wide-format inkjet printers, the achievable range of applications that can be output continues to grow. Whether PSPs are looking to carve out a niche in the market or simply expand their offerings to appeal to a broader range of customers, the drive to creatively produce unique and interesting applica- tions has allowed them to optimize investments in their equipment and to grow their revenue opportunities. Inkjet technology has enabled the easy and profitable production of applications such as custom textiles, backlit posters, window decals and wallpaper. Add to that, printing on rigid substrates allows you to step beyond sign and display graphics into industrial or specialty applications such as membrane switches, interior décor, custom and prototype packaging. PSPs are looking to produce more creative applications with their equipment than ever before. One of the more interesting applications includes relief or dimen- sional printing (up to several centimeters thick!) whereby multiple layers of additional ink are laid down on a rigid substrate to create a highly textured surface. This method of printing can be used for interior décor, to replicate oil paintings, and even to create Braille signage for the visually impaired.” @graphicarts Epson Matt McCausland is product manager of profes- sional imaging at Epson. “Solvent printing is the go-to solution for various wide- format printing applications like signs and vehicle wraps. While solvent printing itself is not new, a recent break- through in solvent ink technology has revolution- ized printers’ abilities to dramatically increase output Matt McCausland, product and offerings by cutting down manager of professional imaging, Epson curing times by 75%. What used to take 24 to 48 hours of drying time now requires only six. Not only does this allow printers more flexibility to meet tighter timelines and increase their output and revenue, but the superior image quality that’s produced as a result has guided the emer- gence of three new trends in wide-format printing. “First, think small. We continue to see graphic businesses expand their product offerings from large applications to smaller ones. What was typically printed using smaller devices can now be efficiently handled by larger production printers. New solvent ink technology now provides a wide colour gamut and higher potential for accuracy, density and brightness. Even the smallest of text can now be printed clearly and legibly. This, coupled with the ability to print directly to a magnetic roll, has enabled stickers and magnets to explode as a new and trendy application. “Second, go big. Precise colour and accuracy isn’t just for small prints. Being able to provide customers with consist- ent colours, while maintaining photo accuracy from panel to panel, allows brands to develop large multi-paneled wall art. “Third, duplicate. The faster workflow via the use of quick- dr y inks allows printers to take on additional and non-traditional jobs and increase revenue. As a result, the expansion into fine-art printing is beginning to take shape. The high-output of the printers, coupled with the reduced curing time of the prints, results in a comparatively low cost for fine-art mass production.” Mutoh Matt Bartlett, Mutoh’s regional sales manager for Canada, points out that while studies predicting future trends are helpful, hidden technologies or changing econ- omies may impact the direction of wide-format. “Did you know that the PC became popular around 1984? That was 34 years ago,” he said. “At that time, we were either paint- ing signs or just beginning to use a computer to cut vinyl lettering for them. We didn’t even have a colour monitor. Today we have smartphones that can identify fonts and take high-resolution images. Technology not directly GRAPHIC ARTS MAGAZINE | May 2018 | 17