Graphic Arts Magazine February 2018 | Page 33

Feature Finally, having worked at the Toronto Star for 20 years, I must mention a major Goss press enhancement project that added full-colour panorama gatefold capabilities at The New York Times. It involved retrofitting two Goss Colorliner presses with a custom-configured Innotech Panorama Gate- fold System. The new system now enables an additional 4-page-wide centerfold, a separate 8-page pullout section, smaller gatefolds or coupon folds at one or both edges, gatefolds in the cover page, or using the gate-folded section as a wraparound on the main section. This is just one example of Goss being a leader in this sector, as printed newspapers struggle to remain competitive and innovative. Heidelberg Push to Stop technology continues its success Heidelberg continues to focus on “The Smart Printshop” with its sheetfed presses and its Push to Stop technology. Last year saw several new installations across North America and more planned for 2018. Push to Stop (i.e. Navigated Printing) requires seamless integration throughout the entire production process and is ideal for its peak performance presses (VLF, XL-106, XL 75 and CX-102). “Heidelberg believes that its customers want to be shown how to improve their businesses through process integration and stream- lined produc tion, as opposed to ‘nuts and bolts’ conversations,” said Ray Fagan, PM/Sales Specialist for Sheetfed, Digital & Postpress at Heidelberg Canada. “Hei- delberg’s Push to Stop takes print manufacturing to an entirely new level of productivity that was previously impos- sible to achieve.” A Speedmaster operating in Push to Stop mode is autono- mous. It takes all job parameters into account, presets all press functions, initiates the run, adjusts registration and colour, and even starts the good-sheet counter while inserting a tab into the pile – continuing to print unless the operator steps in to interrupt. Jobs are autonomously changed over without operator intervention. Using Prinect as the key integration component that ties multiple produc- tion processes together (i.e. MIS, workflow, ink-key data, substrate specs and press settings), Push to Stop executes the fastest changeover sequence possible. “With manufac- turing this close to seamless, job throughput is dramatically improved,” Fagan added. Heidelberg’s Speedmaster XL 106 8P+L with X4 delivery, is capable of utilizing any or all of three types of UV capabil- ities: full UV, LE UV and LED UV. Its Customer Consulting Team helps printers decide which type of UV best suits their existing applications and operation. This hybrid also reaches speeds up to 18,000 sph with makereadies under four min- utes. Heidelberg’s new DryStar LED facilitates up to 25,000 production hours, and users often produce over 50 million sheets per year! Finally, industry marketing research firm Smithers-Pira, in its report Real Production Capability of Pre-Owned Sheetfed Litho Presses, analyzed the impression count of almost 450 pre-owned sheetfed litho presses under ten years old (not new presses) from five major OEMs. Result? Heidelberg presses were 24.1% more productive when comparing overall impression count in all formats. In the case of the Speed- master XL 105 and 106, the press was 66% more productive and achieved 11% lower production costs per 1,000 sheets. Heidelberg actually commissioned the report from Smithers- Pira to confirm data that it had previously collected from the industry. The need for an independent report became appar- ent to Heidelberg when the data was reviewed. KBA Rapida 106 LED-UV Press KBA’s medium format Rapida presses have set benchmarks in makeready times, print performance, new processes and user-orientated configurations. Its Rapida 106 has been the makeready world champion in medium format offset since 2008. With production speeds up to 20,000 sph, it’s also the fastest press in its format class. Recently however, with the rise of UV and LED-UV technology, KBA North America is aggressively promoting its many benefits. For example, its new KBA VariDry LED-UV is a low-energy drying technol- ogy that delivers high print quality, the ability to stand out on uncoated and offset stock with sharp dots and high c olour brilliance, no fold breaks even with high-ink coverage, and the elimination of printing powder. Also, its LED-UV con- sumes only 20% of the energy needed by conventional UV processes. KBA and its ink partners have successfully inte- grated this instant cure-to-print technology as a modular, interchangeable LED-UV curing platform into its renowned Rapida press lines. Led by its flagship Rapida 106 Press, now with LED UV tech- nology, the OEM continues to be a market leader in large format and packaging printing, while also offering digital Heidelberg Speedmaster XL 106-8-P @graphicarts GRAPHIC ARTS MAGAZINE | February 2018 | 33