Gazelle | Page 99

I made in tunisia révélation I made in tunisia revelation I ‫�صنع تون�سي اكت�شاف‬ Forget everything that you know about calligraphy. It’s a new perspective of this ancient art that is offered by the Tunisian visual artist, centuries away from its sacred nature. H osni Hertelli, alias Shoof, is as Amongst his most important works, the atypical as his art. First considering project Tour 13, which brought together a jurist career, the young man writes his 108 street artists from 18 countries ; his first calligraphic characters sitting outside participation in Djerbahood, open air mu- a Parisian café in 2008. What was a seum created by the works of 150 artists “way to clear his mind“ quickly became but also the White Spirit performance at an obsession. Two years later and the Théâtre du Quai Branly that combi- thousands of pages filled with letters, he ned calligraphy and Sufi chants. I took the plunge and quit his studies to dedicate himself entirely to his passion. Crédit photo : White Choco Shoof, calligraphy differently If it is called Arabic calligraphy, Shoof’s work is quite different from the origins of this art, which can be found in the Koranic texts. He is careful not to follow classical calligraphy in order to preserve his creations’ instinctive character. The artist expresses his feelings without restraint and, therefore, lets his soul run wild. As an autodidact, Hosni Hertelli holds in 1 : Projet Tour 13  I Tower 13 project I I 13 ‫مشروع برج‬ 2 : Portrait de Shoof  I Shoof portrait I I ‫صورة للفنان شوف‬ 3 : White Spirit au Théâtre du Quai Branly  I White Spirit at the Théâtre du Quai Branly I 2011 his first exhibition, along with other artists, at the Itinerrance gallery (Paris). Building on this success, he moves from project to project and relentlessly travels between Tunis and the French capital. 2 3 ‫"وايت سبيريت" في مسرح‬ Crédits photos : Aline Deschamps I ‫كاي برانلي‬ 101