GAZELLE MAGAZINE Vol. 2, Issue 3 | Page 28

COMMUNITY & CULTURE JULIA FERNANDEZ-POL My aim is to challenge the notion of beauty by exploiting materials through both color and application. I derive forms from acute observations of the natural world to create the fantastical and whimsical. By meticulously crafting different dynamic patterns and systems taken and developed from the natural world, the surfaces in a sense, become overly decadent. This opulent treatment, through minute details, patterns and vibrant colors, is juxtaposed with dark flat surfaces, developed from my interest in experiencing color through the presence of darkness. These experiences vary from the depths of the deepest ocean floor with the fluorescent organisms, to the darkness of the tallest jungle canopies. In nature, beauty is represented in highly seductive ways through patterns and colors, and while they seem innocuous, they may be extremely dangerous. The idea of deception has been an important part of my work, where I am looking to find the dualities through extreme contrasts that develop from certain dynamics and juxtapositions in nature. Order/chaos, beauty/grotesque, dangerous/harmless, revealing/ camouflaging and fractals/organic. 28 “Weeping Willows,” 2009 oil on canvas 54” x 72” For more works by Natalia and Julia, and seven more amazing female artists, Katy Stone, Lore Bert, Leila Daw, Claudia DeMonte, Karen Kunc, Annette Morriss and GAZELLE STL Mary Joan Waid, visit the Atrium Gallery, located in the Central West End’s Pierce Arrow Building. The current exhibit, Women in the Atrium, is on display through July 3.