Fuzionz Magazine and TV Spring Issue | Page 25

curtis haywood ii

“Whatever God has gifted you to do, that is primarily the calling He has put on you to do,” he says. We all have a primary and secondary gift, but look for the gifting you most excel at, which will be the one that comes the easiest to you and that’s the one you should be pursuing. It really is an internal search.”

be officially released first in Barbados at the Gospel Fest and then in the United States on May 30th, when he will open up for Pieces of A Dream, one of the pioneers of smooth jazz. Their mentor, Grover Washington Jr., was also Haywood’s main influence. “I listened to him in the 70’s and 80’s; especially in the 80’s when he was making his mark,” he said. Haywood has opened for such music greats as The Stylistics, The Temptations, The Delfonics and Blue Magic to name a few. He caters his music based on the crowd he is playing for. His musical talent isn’t only on the stage, as he is also a music teacher at a high school and he teaches privately. That’s his connection to the local community; working with high school and elementary students, exposing them to jazz. One of his fond memories is when he opened up for comedian Sinbad, playing an all-time favorite hit

“When a Man Loves a Woman.”

Haywood’s advice to those seeking to become a jazz musician is, depending on what style of jazz you play, is that you must have a strategy. “You hear of people having a Plan A and a Plan B, but in the entertainment industry, you absolutely have to have a strategy of how you’re going to eat and how you’re going to survive,” he explains. “There’s really no method or strategy in terms of the entertainment industry. You can’t just say you have to do that, you have to do this. I come at it from a practical stance. Earlier, I spoke of primary and secondary gifts. Quite frankly, most of the times, if you want to

get into the entertainment industry, you have to design a lifestyle that is based possibly on your secondary gifts. You may have to get a so-called real job, but you would have to be creative enough to find a career that would give you the flexibility and income because you have to eat. I don’t get into you have to do this and you have to do that because that’s all circumstantial. There is no guarantee, but what you have to make sure of, is that you can eat and you can survive while you pursue your music.” To find out more information, go to www.curtishaywood.com.