Foodheaven by Amalina | Page 13

experience EXPERIENCE ------------------------- {Food for Thought} Most people think as a photographer, I TIPS spend a lot of my time shooting. The reality 1. Look for tools that can help you s that this is still a business. Much of my from art stores, restaurant supply stores day is spent replying to emails, writing and hardware stores. My favourite bids/estimates, handling pre-production malleable and disposable reflectors are groundwork, location scouting, shopping the shiny reflective lids on BBQ roast for props or ingredients for an upcoming duck takeaway containers. Don’t be shoot, researching new equipment and afraid to use and craft your own tools scheduling. Wearing many different hats is that fit your budget. 6. Craft together a small styling kit so a given in this profession. Although being 2. Use a tripod to get tack sharp that you can style food with precision an artist is what you’re known for, having images even in low lighting. Use the lowest ISO possible to reduce grain and straight out of the kitchen. My kit has business savvy is just as important. A lot of people also think that as a noise since images blown up for print will medical tweezers, makeup sponges (to prop things up), small spoons and spatulas, professional photographer, you can shoot need to be as clean as possible however you like. But your job is to produce 3. Challenge yourself with new eyedroppers and mini spray bottles in it. images based on what the client’s needs and photography techniques and learn to 7. Master each lens so it will become requirements are. Is this an editorial shoot use artificial lighting such as off-camera second nature to you. When it’s time to or a commercial shoot? Is his for a website flash units (Canon Speedlites 270EX pull a lens out of your bag, you will know or for an advertisement n a publication? II,320EX or 580EX II). Many factors will determine how you shoot 4. Experiment and master angles you exactly how it will perform