FLOOD | Page 22

T h e W re c k i n g C r e w address the audience. The song “Are You Serious” is directed to that issue—like, what if I came onstage, totally changed my persona, and I I wanted this to be a disciplined record—not just like a “Let’s go into the came out like Bono? [Laughs.] Just like high-fiving the front row! I never studio and hash the songs out” record. It was a really rigorous process and walk onstage thinking that I’ve got this worked out. And that’s where I a lot of that has to do with the musicians; they raised the bar. really relate to that comedian posture because it never helps them—or me—to head out on stage and just think that I’m the shit. What I [admired about the classic studio group] The Wrecking Crew is that every part was really distinct; that’s why those songs worked When I perform with Zach [Galifianakis], I feel like I pick up some of his so well. I always think about old-school records [when] everyone had mannerisms. I feel myself talking to the audience more. Comedians do arrangers, producers, and a division of labor behind each song—then that confessional medium so well—they can be deep and personal and Sinatra or Elvis would just walk in and sing the song. That was really create a religious experience in a way. I’m way more interested in that than hard to do when I was wearing all the hats. So, maybe in a sense, having being up on stage like, “Here’s my pain.” more people in control and delegating allowed me to just walk in and be a little more like Sinatra. It was like I was covering a song, even though it was mine. T ech nology In “Truth Lies Low” I’m talking about how easy it is to humiliate C o me d ia n s yourself these days. Just with the click of a button, you could completely compromise yourself in minutes! You used to have to walk through the I think that the album’s title—Are You Serious—is really dealing with the town and be yelled at by the elders, but now, the click of a button can issue of sincerity in music. There’s this need to really put it all out there, bring it all crashing down. [Laughs.] And there’s something so enticing but that’s the one thing that I’ve never really been able to relate to. When about that, thinking “I could totally fuck everything up right now. I can I’d go to shows when I was living in Chicago, I’d see someone bleeding on just hit send!” It’s so convenient. the stage emotionally and I’d just think to myself, “Are you serious? You’re going to finish here, go to another town tomorrow night, and do the same [By the end of the track] I’m talking about Internet trolling to some thing? Can you really back this up?” degree. There are people out in the world who seek humiliation and some attention as a sign of life. So, when I say, “At least they care enough to let I feel more like a comedian when I’m onstage because I don’t want to you know,” I’m addressing those people’s internal thoughts. Like, at least bring all that darkness in. I often do shows with comedians because there are people taking the time to actually call you a whore, you know? I relate to them more than other bands, especially in the way they [Laughs.] Really uplifting stuff here!