First American Art Magazine No. 10, Spring 2016 | Page 9

Issue No. 10, Spring 2016
FEATURES

48

DEPARTMENTS

Those Who are Above,
22
Those Who Are on Earth:
Effigy Mounds of
Southern Wisconsin
America Meredith (Cherokee Nation)

Recent Developments

16

Seven Directions
Tom Farris (OtoeMissouria-Cherokee)

18

An “Indisputable Source”:
A Short History of American
Indian Art Magazine
Gloria Bell (Métis)

30

Exploring Native Graphic Design
Not Another Mascot Article
Neebinnaukzhik Southall
(Rama Chippewa)

20

A Historical Continuum:
The Portraits of
Brian Honyouti
Zena Pearlstone, PhD

32

Guest Column
Is It a Copy, Or Is It a Copy?:
The Claim of Copyright
in Copies of Copies
Kevin R. Kemper, PhD, LLM

“I Write For My Family”:
A Conversation with
Tanya Lukin Linklater
Matthew Ryan Smith, PhD

38

54

90

In Memoriam
John Trudell (Santee Dakota)
Staci Golar

89

Calendar

92

ARTIST PROFILES
Angela Babby:
Oglala Lakota Glass Artist
Mary V. Bordeaux (Sicangu Lakota)

48

Cliff Fragua:
Jemez Pueblo Sculptor
Matthew Ryan Smith, PhD

54

Luis González Palma:
Mestizo Photographer
Rosa Cays (Chicana)

60

June Lee:
Seminole Textile Artist
Mary Jo Watson, PhD (Seminole)

66

REVIEWS
60

66

Art Exhibit Reviews

72

Book Reviews

81

Music Review

85

Report

86

COVER: Angela Babby (Oglala Lakota), detail of
Wanagi (Ghost), 2012, vitreous enameled glass
on tile board, 20 × 16 in. Ima ge courtesy of the
artist.
Wanagi (Ghost) is part of a series based on
the 1865 photograph of Medicine Bottle
(Mdewakanton Dakota, 1831–1865), a wicasa
wakan, holy man. He was sentenced to hang by a
Fort Snelling military tribunal for his participation
in the 1862 Dakota War, despite the court’s lack
of jurisdiction and witnesses’ testimonies that
they did not see Medicine Bottle kill anyone
in the war. Joel Emmons Whitney took the
photograph of Medicine Bottle as he awaited
execution at Fort Snelling, Minnesota. His
countenance conveys a chilling sense of despair.

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