Firestyle Magazine Issue 9 - Autumn 2017 | Page 16

GENERAL INTEREST BUNNYKINS by Nick Fletcher It’s hard to believe that watercolours painted almost 100 years ago by a nun working by candle-light today form the basis of a global pottery brand. Yet that nun – Sister Mary Barbara – was directly responsible for sparking off the famous Royal Doulton “Bunnykins” pottery which began production back in the 1930s and is still going strong today, sold all over the world. The Bunnykins characters were lovable rabbits depicted carrying out human activities. They were created by a young woman called Barbara Vernon, who was born in Shropshire in 1910. Her father was then general manager of the Royal Doulton factory, and when in the early 1930s he was looking for some ideas for a range of childrens’ pottery, he turned to his daughter for help, for she was a talented artist and had already created a large number of rabbit-themed drawings and water colours based on rabbits she had seen in the garden. The first batch of Bunnykins pottery based on these paintings rolled off the production line in 1934 and within three years had become so popular that Doulton deleted all its other children’s’ pottery to concentrate wholly on these delightful rabbits and their comical antics. 16 Plates, bowls, cups and saucers, mugs, egg-cups, jugs and teapots were among the range of items featuring colourful scenes. In fact even by 1939 there were already no less than 66 different Bunnykin scenes in use! In later years, many other Bunnykins- themed items were made, including an extensive range of rabbit figures. There was great demand for more drawings but by then, the young Barbara had decided upon a religious vocation and had entered a convent in Sussex. For a while she continued to draw the rabbit scenes for use on the pottery, often working late at night by candlelight to complete them so that the work did not interfere with her daily religious routine. The head of the convent had allowed her to do the drawing as long as there was ‘no financial gain’ so neither Barbara nor the convent ever received royalties from a brand which went on to earn millions.