Far Horizons: Tales of Sci-Fi, Fantasy and Horror. Issue #20 November 2015 | Page 56

Tales for the Ferryman Pete Sutton Part Ten The Ferryman is an automaton at the stern of the boat, his, or her, arms moving in an endless circle, pushing us towards the shore. Towards the castle. I shrug. I will carry on with the tale, as much for taking my mind off what approaches than to entertain the enigmatic figure at the stern. I pause in the storytelling to look around. The lake is massive, more like an inner sea than lakes in other countries. Each hill and grove, inlet and bay is familiar to me from my childhood crossing and recrossing the lake in my father’s boat. The castle has always dominated the land, in fact I read somewhere that it is over five hundred years old. You, of course, will have heard all the stories about it and its owner. And his lost love. I won’t repeat them to you, but I, as a child, spent the last hour or so of the boat journey telling the man in red all about it. With his short, insightful questions and gentle prompts during that, my first storytelling experience to anyone other than my father, he had already started my education. *** “But why do men say he’s a beast?” the man in red asked. “Not a beast, but The Beast,” the boy replied. There was a pause filled only with the soft splashing of the wavelets against the hull of the boat and the creak-creak-creak of the oar circling. “I see,” the man in red said eventually. He passed his hand across his face. Then reached out and closed the boy’s eyes. “I want you to see the story unfold in your mind’s eye. Go through it again, to yourself, visualise the elements of the story, the shipwreck, the garden, the people, the places, The Beast. I want you to lavish them with detail—what do they look like? A story is a picture painted with words.” The boy nodded solemnly. The small sounds of the boat slicing through the water were all to be heard. After a few minutes, the boy nodded again. “I’d like you to tell me that story again tonight. When we are cosy by a fire. Then I’d like you to tell it to me tomorrow when we break our fast and again when we find a few moments to pause, and again, and again. Until that tale is polished like a diamond, its many facets shining, ready to pierce the hearts of your listeners. A facet of love, one of heartache, another of sorrow, one of joy, another of fear, another of grief, another, and another.” The boy stared at the man in red, his features a study in concentration. “Right so. Your father is not going to hear the end of the tale of the Four and One. But you will. But let us return there once again. Just for a while. Until we dock.” *** Padraig found it difficult keeping up with Andarta. She seemed to be making allowances for him, but he was still blown when they finally made it back to the Holding. Her breathing was hardly deeper, and she still looked alert and ready for anything, whilst he was gasping for breath, his face aglow, and streaming with sweat. The Holding was in uproar. It resembled an ant’s nest that had been disturbed by a shovel. Men, women, and children swirled around the buildings. Some were carrying bundles precious to them; others stood with expressions of disbelief, or fear, upon their faces. Often the children were wailing, although a band, some eight to ten strong, weaved through the throng, playing a game, their high, clear laughter 56