credits include Assistant Stage Manager for The Woman in Black ( Theatre Cedar Rapids ) & Stage Manager for Hamlet ( Cooked Path Theatre ). Before returning to her native Iowa , Lacey was also part of : A Streetcar Named Desire ( Stella Kowalski ); Murder Ballad ( Sara ); Rock of Ages ( Sherrie Christian ); Boing Boing ( Gretchen ); Murder on the Nile ( Kay Mostyn ); The Accusing Parlor ( Natalie Fatale ); One Man , Two Guvnors ( Stage Manager ); Avenue Q ( Assistant Stage Manager ); Laundry & Bourbon ( Assistant Director ); and White Rabbit , Red Rabbit ( Stage Manager ). While not enjoying theatre , Lacey is an Assistant Professor of Sociology and Department Chair of Health Programs at Mount Mercy University .
Zamora Simmons-Styles
( Costume Design ) is a Costume , Makeup and Hair
Designer from Trinidad and Tobago currently based in the Twin Cities . She graduated with her MFA in Theatre
Design at the University of Iowa ( UI ). Zamora recently designed for Mixed Blood Theatre ’ s The Most Spectacularly Lamentable Trial of Miz Martha Washington by James Ijames . She is excited to be working with TCR for the first time .
Greg Geffrard
( Intimacy Director ) Greg Geffrard is an educator , Intimacy professional , culture worker , actor , poet , and facilitator . He cultivates sustainable artistic spaces of exploration by sharing consent- based trauma-informed advocacy tools . He aspires to inspire the next generation of self-generators of radical joy . He is the Resident Intimacy Consultant at Steppenwolf Theatre . As an Associate Faculty member with Theatrical Intimacy Education , he has facilitated workshops at the collegiate and professional levels . He is the conference planner for ATHE with the Association of Theatre Movement Educators . His primary research focuses on integrating intimacy practices into theatrical pedagogy to ensure that the principles of IDEAS ( Inclusion , Diversity , Equity , Access & Sustainability ) are applied in praxis . Greg collaborates with arts organizations to examine their hierarchical structures through the lens of anti-racist practices . He co-leads these complex cultural conversations with The Chicago Inclusion Project and utilizes the “ Conversations @ Work : An Antiracist Workshop ” format , which he co-created for the Chicago Poetry Center . He also facilitates transformative justice-focused conversations & amp ; creates curricula with the ambition of establishing brave spaces . He has partnered with Steppenwolf Theatre , The Kennedy Center , the Renee Crown Wellness Institution , the Chicago Poetry Center , the Old Town School of Folk Music , Young Chicago Authors , and the Chicago Arts Partnership in Education . Greg holds a Bachelor of Arts in Theatre from the University Of South Florida and a Master of Fine Arts in Theatre Performance from the University Of Iowa . He is the Head of BFA Acting and Associate Artistic Director at Brenau University .
18 FAIRVIEW | theatrecr . org