Exquisite Arts Magazine Vol 6- Summer Issue- July 2017 | Page 30

Wica’heala kin the old men Heya’ pelo’ say Maka’ kin the earth Lece’la only Tehan yunke’lo endures Eha’ pelo’ you spoke Ehan’kecon truly Wica’ yaka pelo’ you are right. Told by Used-as-a-Shield (Teton Sioux) In November 2006, a 37-year-old Inuit girl entered the art world hall of fame when her work won her the 2006 prestigious Sobey Art Award and took home $50,000. According to the jury members the Cape Dorset, Nunavut, Canadian girl had an exceptional ability to reflect and balance the current moment of the aboriginal traditions and modern drawing. The Inuit girl was dexterously helping in the re-examination of modernism revealing the hybrid contemporary traits characterised by diverse masterful celebratory points in her art. people whose customs, while still un-extinguished, must contend and live with modern realities from the media, manufactured goods to technology. Before the award, Pootoogook had received a special invitation to exhibit in Kassel, Germany, at the prestigious 2007 Documenta Art Show that happens every five years, the first for an Inuit artist. By the time the world came calling in 2006, the 37- year-old had only been an artist for nine years. Sobey Art Award is an annual Canadian award that guarantees the winner $50,000 presented to a fortunate artist below 40 years of age who had, in the immediate last 18 months, displayed his/her work in a commercial or public gallery. Unabashed depictions The artist in a changing world The girl is Annie Pootoogook, a Canadian Inuit artist. Her drawings perfectly capture a changing culture of a Page 29 Annie Pootoogook brought her art to life using coloured pencils and pen and unabashedly depicted the contemporary Inuit daily struggles and sojourn in a changing world. She followed the sulijuk (which means “it’s true”) tradition gleaned from her mother and set off by her grandmother. In their lives, the three generation of Pootoogook women had depicted life in Canadian North as they saw it adding very little in their compositions.