Exhibition News June 2020 | Page 15

News Feature Why the new ‘Thinkshop’ series is important for women working in exhibitions? Cipca explained: “Women in general are rated as excelling in taking the initiative, acting with resilience, practicing self-development, driving results, and displaying high integrity and honesty. Interestingly, data also shows that when women were asked to assess themselves on their skills and the ability to perform the tasks in a new role, they were not as generous in their ratings. Research shows women are less likely to apply for jobs unless they are confident they meet most of the listed qualifications. “With the ‘Thinkshop’ series our overall objective is to empower every individual to realise the value they bring to their current, and any future role. We want to coach women to appreciate that a versatile approach is required if you are to be able to influence effectively. We will offer them some key elements that interlock in a way that provides them with certainty to behave in ways that ‘shouts’ credibility. In the second session of the five series we will give practical and hand-on tips for selfbranding, followed by tips on how to manage expectation, and as a result manage conflict. “In the fourth and the fifth session we tackle what change, which is inevitable in any environment. Once we accept change, we are in a more effective place when it comes to managing unexpected situations. Regardless of whether the emotion is stress, anxiety, frustration or even anger, it is a fact that what you’re feeling has manifested from a single central point. These basic realisations can change women’s way of functioning in both their personal and professional lives, and understanding their value makes them better conversation partners.” Information about the Thinkshop series programme, regional chapters and membership details can be found on the Women in Exhibitions website designed by EMOTIONstudios at www.womeninexhibitions.com programmes for the next generation of women, to support their career goals and importantly that they can continue to develop diversity and inclusion in the industry.” Cipca explained that she started the network to try and tackle the low number of women in senior positions within organisers. She added: “The reason I started the network was because I felt women were underrepresented at top levels in our industry. As a newcomer to the industry, I immediately noticed that men would represent all top management functions. I was shocked to learn how little the number of women there were at C-Level in Germany despite our industry being run by women at all other levels. “There is a direct correlation between women in leadership and business performance, and our industry needs to understand this, and we want to pursue us being relevant as industry. I hope to use a platform like the Women in Exhibition Network to make our industry discover the brilliant women who run it and nurture the next generation of female leaders through training programs and mentorships.” Cipca has her eyes set on other territories to grow chapters. She added: “In the next two years we see our community growing in Asia, Australia and USA. Until now we were mainly focused on Europe, but our industry is large and well connected so it is obvious we want to reach women worldwide.” Oana Cipca June — 15