Exhibition News April 2020 | Page 51

Roundtable lot of feedback from both our exhibitors and our visitors. After the show I do a survey to our database. For me, driving content comes from studying that data and seeing exactly what our exhibitors want at the show, and then researching how we can implement and facilitate it within budget requirements. It’s about getting the balance between pleasing exhibitors and visitors and making it functional for us as well.” Chris Preston, MD, Freeman believes it’s all about the experience: “It’s all about the brand experience, the contact with the audiences and we believe exhibitions will always have a key part to play in that, and it’s part of a much broader set of choices that both individual and corporates have in which to communicate their brands. Our approach is not to throw the baby out with the bathwater, because we absolutely believe that the exhibition show floor, the exhibition or event, will remain for the foreseeable future the majority of the platform, and all the different choice that people have will actually build out from that...It’s an evolving picture that’s becoming more encompassing.” Laura Tavernor, Head of Marketing, DMG Events says there will always be a home for tech at events: “There definitely is a place for technology, and we see it on some of our exhibitor’s stands from VR to AR. We ourselves only look at a few things like golf simulators that would attract visitors, and that’s what, realistically, we can afford to do, but for our exhibitors that have bigger budgets there’s definitely a place for more advanced tech. I think as organisers, we owe it to our customers to share any technology with them to help them improve how they sell products. If we can do that, it will have an effect on the overall visitor experience.” Dan Sewell, event director at Upper Street Events, who oversees Country Living Magazine Fairs says he has catching up to do. He said: “We are miles behind. We haven’t invested in anything as we haven’t felt the need from our consumers to do anything like this. Quite a lot of our events are retail shows where you see something, buy it, and take it away. Where I’m coming at it, from an organiser point of view, is that I’m for those experiences that create a ‘wow’ factor. If I invest in technology, I want to get something out of it, whether that’s data, research on site etc. We want people to go away with a positive feeling, but it needs to serve a purpose as well.” Angela Smith, head of customer experience, Freeman, says consumer behaviour is changing: “I think you only have to walk across a show floor and see that nobody is looking up, we’re telling them where to go on banners and no-one’s looking at them. I think we just have to embrace it because it’s not going to change. You know, you look at children in schools now, it’s fully interactive, it’s sensory overload every minute of every day for them, and that’s the future for events, exhibitors, organisers, service partners, so we need to play our part in making sure the industry is ready for that, and to drive it forward.” Kate Simmons, operations, Reed Exhibitions adds: “There’s too much noise at the moment, no matter what generation you are, it’s information overload, so you need to be able to pull out key information you can remember, and at the moment there’s too much noise around so people aren’t able to pull out those key experiences, and that’s how people consume it differently.” Sewell technology has to fit your audience: “I guess our portfolio at Upper Street is quite diverse. The average age for the events I organise is 54 so we’re going way back, mobile phones were starting to be used on our show floor five years ago, so they’re quite late adaptors. On the flipside we have MoveIt where the average age is 12-13 years, so that’s massively content driven. We have massive screens that complement the whole staging, experience and technology, we have a tunnel when you walk in, so it’s really quite visual. But we don’t have an app. We don’t spend enough as a company, we don’t invest in it.” April — 51