Event Safety Insights Issue Five | Summer 2018 | Page 42

Rethinking Situational Awareness by Steven Adelman I have long been annoyed by the admonition to “See Something, Say Something.” There is ample evidence across time and demographics that most people do neither. See, for example, Amanda Ripley’s very readable book about people’s “disaster personalities,” or my article about the inap- plicability of common active shooter training to live events. Everyone who has ever attended a concert or sporting event has observed that people who are impaired by alcohol, drugs, or the excitement of the moment are slow to perceive and react to anything unexpected. When I talk about the sort of situational awareness on which many emergency plans are based, I show an image of a unicorn. everyone’s brain tries to fit unfamiliar things into familiar box- es in order to keep us from being attracted to shiny objects all day long. Even (presumably) sober event professionals en- gaged in their daily tasks walk past errors and hazards all the time. Faithful readers will recall my many pictures of rooms set up with blocked emergency exits. Not only were the rooms set up wrong, but smart people who came to hear me talk about safety in public accommodations walked in, sat down, and neither saw something nor said something. I don’t think they were all outliers. Here are two new additions to the gallery I’m calling, “Yeah, That Looks Fine.” In each of these emails, the typo should be obvious both because (1) it appears in the title and (2) the misspelled word is the whole point of the communication. I am confident that my peers at Arizona State University’s law school know how to spell “trial,” just as I am sure that the peo- ple who promote my local professional soccer team know how to spell “Phoenix.” So what explains this? It has to do with situational awareness, but not the way we usually think about it. I believe that situational awareness is not something we all have that makes us notice strange things in ordinary sit- uations. If anything, that is precisely the awareness most people lack. We filter out things that don’t fit what we expect to see - this is what allows us to get through our days. Everyone has something called a reticular activating system that allows our brains to deal with the two million bits of information we receive each day by simply ignor- ing most of it. We are not “situationally aware,” as we usually use the term, be- cause we’d all be paralyzed by sensory overload. Situational Awareness Reconfigured There is a different sense in which the term “situational awareness” does make sense. And, satisfyingly for peo- ple who take seriously our legal duty to behave reasonably under our cir- cumstances, it turns out that our aware- ness depends significantly on context. Check this out. 42 Now we’re getting somewhere. Since we know where everyone is looking and what everyone is listening to, we can work with that to help inform them and move them in an emergency. Here are a few common procedures: Bring up the house lights, kill the effects. This is both to help peo- ple see their way towards an exit and to change their experience so they know whatever is about to happen IS NOT part of the show. Communicate from the stage. Everyone is looking towards the stage anyway, so get the first messaging out from there, either by playing pre-re- corded messages on video or by re- placing the artist with an authority with a mic on stage. Don’t count on the talent to help move the crowd. Their manag- er will want to get them back on the bus, and the talent has never practiced your safety mes- sages anyway. Emergency op- erations are for venue and event operations peo- ple. “Yeah, That Looks Fine” Consider just a couple of recent examples. A DJ working Pulse nightclub’s outdoor patio when shooting broke out in 2016 told reporters, “ I heard shots, so I lower the volume of the music to hear better because I wasn’t sure of what I just heard. I thought it was firecrackers, then I realized that someone is shooting at people in the club.” Earlier this month, a man sit- ting at a café outside YouTube’s headquarters observed, “It was a surprise, because you don’t really expect something like that. I heard some pops, I obviously thought it was bal- loons, but then I thought that doesn’t make sense, not today. Then I heard more shots and that’s when everyone started scrambling for the door.” It’s not just fans who suffer from “confirmation bias,” by which wards the action. For a sporting event, everyone looks at the field; for a cor- porate event, we anticipate the MC taking the stage. In each situation, the crowd’s awareness of what’s happen- ing at front of house center is fantas- tic. And entirely foreseeable. Because event professionals put in a lot of work to make that the focus of everyone’s attention. When concertgoers are standing in a general admission area as a band strikes its first chords, we know where their awareness is focused - front of house, center, on stage. As this picture reminds us, even the guest services people can hardly help from facing to- a GA floor pointing towards an exit, have your highly-visible staff head towards the exits, gesturing for people to follow them out. I know I trust someone a lot more if they’re doing the thing they say I should do. It is important to accommodate people as th