Event Safety Insights Issue Five | Summer 2018 | Page 36

Non-Profit Spotlight: JusticeAid is a non-profit started in 2012 by members of the Washington D.C. law community based on their love of live music and their desire to move the needle on progress for folks in need. All of the founders have a long history of doing pro bono legal work on justice-related issues and are lifelong music supporters. This has proven to be a natural and successful fit. ticeAid trumpet logo is all about”. JusticeAid also educates thousands of Americans on justice issues through live and streaming panels, so- cial media campaigns and outreach efforts. Panelists have included social justice advocate Bryan A. Steven- son; Seth Waxman, 41st Solicitor General of the United States; and New York Times Pulitzer Prize winning jour- nalist Michael Winerip. JusticeAid’s mission is to identify and eradicate barri- ers that limit economic justice, personal freedoms, or the opportunity to exercise the rights that every person should possess, regardless of background or circum- stance. Using the arts as the medium, the organization celebrates the work of, and provides financial support to organizations actively engaged in the fight against injustice. Each year, JusticeAid organizes concerts, panels and other event s to educate the public about key civil rights challenges, while raising vital funds to support under- resourced organizations addressing these is- sues. “We’re the only country in the world that sen- tences children to life in prison without the possibility of parole,” explains Jody Kent Levy, Executive Director of The Campaign “We’re the only for the Fair Sentencing of Youth.” We country in the world are incredibly grateful to JusticeAid for both spreading awareness about that sentences these practices and generating funds to support our work.” http://fairsen- children to life in tencingofyouth.org There are some unique features to this group though. Unlike most or- ganizations of this nature, JusticeAid puts on gigs and then gives 100% of the ticket sales to pre-determined (and thoroughly vetted) non-profit prison without the beneficiaries who use this funding to continue the heavy lifting in fighting possibility of parole.” Over the past five years JusticeAid has raised hundreds of thousands of dol- for legal reforms and advocating for - Jody Kent Levy lars to support organizations that work the less fortunate members of society. for juvenile justice, freedom for those Additionally JA pays artists for their imprisoned for crimes they did not commit, justice for services and does not rely on the donated services of veterans, legal representation for the poor, and justice musicians. for those with mental health issues. Founder Stephen Milliken explains: “It’s said that hu- mans are hardwired for narrative; yet, we know we are even more hard wired for music. Music truly is the mes- sage, and JusticeAid honors artists along with leading civil rights advocates and organizations. At JusticeAid, we don’t ask musicians to donate their talent. We pay performers to honor their amazing contributions to all of our lives and to the advancement of social justice. Our concerts strive to be a seamless mix of the aesthetic and uplifting— beauty and truth — that’s what the Jus- 36 JusticeAid produces one main concert per year and has featured such diverse artists as the Blind Boys of Ala- bama, Ani DiFranco, Hurray for the Riff Raff, Ozomat- li, Kandace Springs and Trombone Shorty/ Luminaries such as Susan Sarandon, Bonnie Raitt, Bryan Stevenson, Neko Case, Rosanne Cash and Joe Henry have helped out through acting as Honorary Hosts of these events, or participating in the #WhatJusticeMeansToMe video campaign. See http://bit.ly/2DnFNMJ for a sampling of the videos. JusticeAid had been extremely successful in their mission, but with the 2015 additions of ESA mem- ber Paul Dalen and veteran Event Producer Danny Melnick (Saratoga Jazz Festival, Newport Jazz Festi- val, the Bermuda Music Festival among many oth- ers) the shows began to feel more like a produced event rather than just another gig. In 2017 under the direction of Melnick, the orga- nization did a show at City Winery in NYC billed as “Gotta Serve Somebody.” The date of the show was Bob Dylans 75th birthday, and each of the 5 female artists performed “…one of his and one of hers.” This sold out show was an artistic and commercial success and raised over $120,000 for The Mental Health Project of The Urban Justice Center. https:// mhp.urbanjustice.org “Music is a wonderful way to bring people togeth- er,” says Jennifer Parish, Director of Criminal Jus- tice Advocacy for JusticeAid’s 2017 beneficiary the Mental Health Project of the Urban Justice Center. “I think that emotional connection is what effects people. It speaks to a different part of us and it touches our hearts. I think to make social change we really have to touch people’s hearts.” 37