Essential Calgary Magazine | Page 31

PHOTOGRAPHS: COURTESY TREPANIERBAER GALLERY “Don’t buy into hype,” says Trépanier. “That’s really dangerous. I can cite you many, many examples of auctions I’ve been to where a painting goes for a third or a half or 75% more than its retail value.” Then it comes down to finding a reputable, honest dealer. “I can tell you 90% of the art world is buyer-beware,” says Green. “Very rarely do you get galleries that own inventory, that support their clients and their artists, and will go to bat for their clients who want to collect. The auction world is a whole other dimension where you really need to know your stuff and if you don’t have the time, expertise, or the knowledge then you need your friends who are knowledgeable and educated to help you make those assessments of paintings at auctions.” Calgary artist Chris Flodberg is a contemporary artist who has been painting full-time for 20 years and selling his works all the while to private, corporate and public collectors across Canada. He says he feels very lucky to be represented and supported by a gallery like Masters Gallery. “That gallery has really stood by me and I’ve always got the feeling I’m special to them and they’ll do anything to make that work,” says Flodberg who has been with Masters Gallery for more than ten years. “I’ve dealt with other galleries that are sociopathic in the way they deal with artists. They steal from you, lie to you.” If not for investment, then what is a good motive for collecting art? “Pure pleasure,” says Trépanier. “Collecting art is like buying a great suit you like wearing all the time or having a beautiful object in your home. It’s intellectually and emotionally stimulating. It’s pleasant to be around. It breaks down the everyday, the mundane, the routine of life. It challenges one’s thinking. It breaks stereotypes. It does all those things. The whole art world is about that. It’s about ideas. There’s value in that.” (Counter clockwise from top left) Installation view of Chris Cran: Candidates and Citizens, 2013; Installation view of Luanne Martineau: Luanne Martineau, 2012; Installation view of DaveandJenn: This Sinking Feeling Could Keep You Afloat, 2014; Installation view of Ron Moppett: CONSTELLATION(S), 2015; all at TrépanierBaer Gallery (Opposite page, top to bottom) Double Image Catharsis; Valley Creek, Dusk; Pure Breed, all by Chr