Encaustic Arts Magazine WINTER 2019 | Page 15

I cannot recall a time when I wasn’t exploring a creative impulse. Even as a young girl running around with my Instamatic camera, looking through the lens and seeing encapsulated worlds before me was magical. I wasn’t cognizant of it being a direction I would take later in life, it was just part of how I approached my world. I have always been attracted to the interaction of color and how things fit together like a puzzle. Not necessarily needing things to have an identity, but more like the way shapes and color merge to form the identity. The best metaphor I can think is like a quilt. Like many, I pursued other areas of interest to make a living. Creative time was something I looked forward to, as it came in bits and pieces. That was until I was in my mid 30’s, when I decided I was going to finish my degree. At that time, I was taking art classes as a way of “feeding my soul” but still dismissing the idea of art as a formal direction. I was at a real cross road in my life, a point when I realized that I could go in the direction I started years before and finish my studies in biology or pay attention to this growing desire to go deeper into my art studies. I took the chance and matriculated at Lyme Academy College of Fine Art, a small art school in Old Lyme, Connecticut. Known for its classical training in the arts, I spent my days learning from the figure. “If you can paint or sculpt the figure, you can paint or sculpt anything” was often heard in class. I thrived in school, absolutely loved every minute I was there.