Encaustic Arts Magazine Winter 2013 | Page 20

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Because one of my concerns is the dissemination of scientific fact and fiction , I believe that if something is meaningful , it is worth repeating — hence my employment of multiples . It ’ s not possible to think that the making of the telling of the same thing over and over again hasn ’ t led to exaggeration . This becomes part of the visual folklore . I ’ m interested in taking variants of the same form to what I deem the edge and stopping just before it spills over .
Each presentation is an altered memory , the re-telling of a story . The installation is the most current factual version of a progression of radically eroded memories .