Encaustic Arts Magazine Spring 2012 | Page 18

Portfolio Ann Huffman 18 Boy From Oregon, 16”x18”, Encaustic Wax Paste, 1986. In Mrs. Appletree’s Studio, the information was adapted for the Pen (or not) with much spirit moving going on as the paintings progressed. For example, Boy From Oregon, is an encaustic wax paste painting and has nothing at all to do with the Pen. Veryl Culver Waldner and Madge Simon were my mentors. Boy was done with Veryl Culver Waldner’s wax paste formula and Madge Simon’s wax paste technique. That is, well burned-in, very thin layers of translucent wax paste paint applied with brushes to render the image on a marble wax plaster ground. A hot air heat gun was excellent for burning-in the delicate wax layers as they were applied to the painting.. Into the West is a Hot Brush painting adapted for the Pen from Dorothy Masom’s classic molten wax/hot palette/natural bristle brush technique with hot air gun burning-in. Therefore, waxes were semi-molten, the palette was warm, the bristles were brass, and the Pen burned-in the waxes as they were applied. In classic mode, the Pen w/ Hot Brush worked directly from the semi-molten waxes in their pots or mixed wax paints on the surface of the warm palette. To complete the painting, details were done with the Pen w/C-5 Pen Point. Summer www.EAINM.com Into the West, 5”x7”, Encaustic Wax, 2011.