EMP Magazine Volume 1 Issue 1 | Page 12

Benjamin Nunnally At first listen, it’s easy to tell that Atlanta’s Inviolate is a band built to be taken on its own terms: industrial electronics welded to heavy riffs beneath singer Kadria’s Eastern-inspired vocals, a distinctive blend that defies comparison.    That defiance of sameness is reinforced by the band’s live shows, where Kadria not only sings but makes use of her experience as a bellydancer — even bringing out and balancing a sword on her head during a dance on the floor amongst audience members — taking a show into entirely new territory for heavy music.    That uniqueness now carries over into the band’s lineup by way of “Inviolate 2.0,” a reinvention of the modern band that pulls musicians throughout the Southeast onto the roster for live shows. The band’s Birmingham show in September featured guitarist Derek Obscura of The Casket Creatures, Robert Hannon of The Void on bass and drummer Ernie Topran of Halcyon Way, but October shows will see new guitarists filling the role while Obscura takes the Creatures out on the road.    We had a chance to sit with the band and discuss influences, sneaking off to buy metal CDs and what the 2.0 means for touring and recording new material. Does anybody mind if I record this for my notes? If anybody says anything they don’t want to have in the article, just physically threaten me and I’ll be