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The Girl With The Red Scarf stands out for its brilliant casting, the polished performances of its three leads, Türkan Soray, Kadir Inanir and Ahmet Mekin, the refined direction of Atif Yilmaz and highly effective score of Cahit Berkay.

In the film, it is explained as effectively as possible that love is labor. and the last scene of the movie is engraved on both hearts and minds of everything about love.

Be warned: this is a film that plays mercilessly on the heartstrings.

Do Not Forget !

!!! LOVE IS LABOR !!!

MY THOUGHTS ABOUT THE MOVIE

AWARDS

The film won the Best Director, Second Best Film and Best Cinematography awards at the 15th Antalya Golden Orange Film Festival.

Additionally, Türkan Şoray was awarded the Best Actress award at the Tashkent Film Festival.

EVERYTHING ABOUT

THE GIRL WITH THE RED SCARF

Sunday January 10. 2021

12, 2016

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B

The movie was released in 1978. Atıf Yılmaz was seated in the director's chair.

The screenplay of the film belongs to Ali Özgentürk and the story belongs to Cengiz Aytmatov.

Kadir İnanır, Türkan Şoray and Ahmet Mekin play the leading roles in the film, and the supporting roles include Nurhan Nur, Hülya Tuğlu and İhsan Yüce.

Child actress Elif İnci, on the other hand, impresses with her small role as Samet.

The soundtrack of the movie is signed by Cahit Berkay.

The work that Turkish movie lovers never get tired of watching over and over is considered one of the classics of the big screen.

The film was shot in Osmaniye, a province of Adana at that time.

STORYLINE:

In Short; LOVE IS LABOR

We begin by being lured into the captivating world of Ilyas, a truck driver who delivers sand to a dam construction, his newly acquired wife Asya and their young son Samet.

But the legendary love affair between Asya and Ilyas is soon shaken by jealousy, an alcohol habit and extra-marital affair. Ilyas, who genuinely loves his wife but is hampered by an ever weakening character, ends up walking out when job-related problems come to a head.

The helpless Asya is left with their son to cope alone. She waits patiently for her husband to return Until she runs into Cemsit, a sympathetic figure who Samet soon begins to identify as his father. When she finally surrenders to his affections, life takes on an entirely new hue.

But then, years later, Ilyas suddenly appears from nowhere, demanding his wife and child back.

His arrival rekindles the questions that have preoccupied hearts and minds since time immemorial.

What is love? What makes a lover? What makes a spouse? What makes a father?... And which is harder: to go back or not to go back?

And saying

"LOVE IS LABOR!!!"

He chooses Cemşit, who labored for himself and his child.

Click on the picture below for

the final scene of the movie.

Even if you don't come, I will wait.

What will happen?

Is it going out of my pocket?

Going with my heart

Farewell Asya, Farewell my The Girl With The Red Scarf, Farewell, my unfinished folk song.