el Don V. 92 No. 5 | Page 10

STYLE NEW DANCERS FRESH DANCES Theatrical group performances animate big dreams for fall concert D el Don /SANTA ANA COLLEGE • MONDAY, NOVEMBER 10, 2014/eldonnews.org MOVEMENT / Students Laura Moran, Brianna Reyes, Liliana Ramirez and Ray Ynciertl showcase contemporary styles 10 STORY AND PHOTOS BY LIZ MONROY / el Don ance chairperson Heather Gillette had to rely on inexperienced dancers to meet the number of students needed to pull off nine performances in this fall’s dance department program Dream Big. “Every student deserves an opportunity. Our job is to provided experiences,” Gillette said. About 30 students are involved in the production of the show, choreographed with the help of eight Santa Ana College professors. For the showcase all numbers will be performed in groups, with no solo numbers. One piece by professor Allison Hart, titled Carbon and Water, melds unconventional dance moves while peppering the performances with heavy symbolism. Another sequence depicts a moth venturing too close to the looming lights of a disco ball. “It’s kind of a journey for each individual person look- ing for love or something to be attracted to, and not really finding it,” Hart said. The dance breaks away from normal circular movements to strange and unexpected ones that express different stories. “I did a lot of this dance based on improvisation that they actually created, so a lot of these dances are from them, not me teaching them steps,” Hart said. Another number stands apart from all the others. It starts with dancers talking to the audience about having dreams. The performers move back and forth, at one point undressing while dancing. “It’s a different kind of style which brings out the best in all of us,” freshman Jocelyn Lopez said. Dream Big premieres at SAC’s Phillips Hall Theatre on Thursday. Performances run through Saturday, at 7:30 p.m., with a matinée Friday at 2:30 p.m. Tickets will be sold at the door. el Don /SANTA ANA COLLEGE • MONDAY, NOVEMBER 10, 2014/eldonnews.org STYLE MIX UP IN THE MAINSTREAM The fusion music genre grew out of the hardcore scene and hit the masses in the late 1990s, early 2000s with bands like The Offspring, Blink-182 and New Found Glory dominating Billboard record sales. Then the genre began to change. BY IZABELLA SANTANA / el Don Pop-punk influenced the late 1990s generation to go against the social norm, but the revival era changed its music from raw and rebellious to internal emotional angst. Pop-punk was an outgrowth of the hardcore scene and went mainstream in the late 1990s, and early 2000s with The Offspring and New Found Glory, dominating CD sales. Taking elements from punk, bands used angsty lyrics but with an upbeat sound and catchy choruses. But the style has gradually lost its way. Songs like I’m Just a Kid by Simple Plan and All The Small Things from Blink-182 focused on reaching out to those not accepted by the majority. The revival era phase of pop-punk isn’t about rebellious, misunderstood teenagers. It’s about prepubescent kids who wear RHYTHM / Travis Barker is one of the most recognizable characters of the Pop-Punk age, working with at least 13 Man Overboard shirts and eat pizza, said associated acts including Blink-182, Box Car Racer and the Transplants. / Brett Flashnick / Tribune New Service Jacob Darling, previous bandmate of Lighthouses, a Nebraska-based hardcore band. music to money. Pop-punk was influenced by the punk rock As the genre grew, it began to fit the capital“I thi