ecology EcologyofEverydayLife | Page 161

ECOLOGY OF EVERYDAY LIFE 158 TIhree Moments Of IIIustrmIve OpposiTioN Illustrative opposition unfolds in three phases. In the first critical moment, we recognize a particular form of social or political injustice, responding in turn with critique. In this moment, we may sort through the separate strands which compose the central cord of a particular form of injustice. We may analyze how this form of injustice surfaces and is perpetuated within realms of the social, the political, and the State. In the critical moment, we ask ourselves what makes this particular form of injustice unique or particular, asking: How is this form of injustice different from other injustices; why has it become a crucial issue at this point in time; or what makes it historically unique? In the critical moment, we look at the historical development of the particular issue, examining in turn, the lesser known radical history which surrounds the form of injustice. Hence we would ask: Were there attempts in the past to resist this form of injustice; what made these attempts successful or unsuccessful; what is to be learned from both the history of how this injustice came to be, and the history of what almost was, or would have been? In the second reconstructive moment, we begin to draw out the wider reconstructive potential nascent within the struggle against a particular form of injustice. We begin by examining the implications of engendering wider conditions of justice surrounding the issue within the realms of the social, political and the State, examining in turn, the ecological implications of the particular injustice at hand for each sphere. Here, we explore how to transform each sphere of society sufficiently in order to thoroughly transcend the particular form of injustice. Ultimately, the reconstructive moment serves as an opportunity to draw out the social and political conditions that are necessary to sufficiently oppose and transcend the particular form of injustice. Finally, the third moment constitutes the illustrative moment. Here, we begin to elaborate ways to articulate and demonstrate the many insights we glean as we move through the previous moments. There are many forms through which we may express these comprehensive insights: We may print pamphlets which are critical, historical, and reconstructive in nature; develop a performance piece that integrates our insights and conclusions; take direct action, creating banners with slogans that point to salient threads of our overall analysis or vision; articulate our analysis on alternative and mainstream media such as pirate radio or the Internet; or create teach-ins and ongoing lecture-discussion series within our communities. Our ‘illustrations’ must be utopian and visibly socio-erotic. For our goal is not only to inform, but to inspire ourselves and others to take direct action. As previously discussed, we need to restore to the erotic a distinctly social meaning, articulating the different ‘moments’ or aspects of social desire, cultivating a language to describe our yearnings for community and